LilyPond — 学習マニュアル

コンテキストを見つけ出す · 付け加える

付録

\version "2.23.3"
{
  c' e' g' e'
}

.ly
test.ly
.ly
test.ly
test.log
test.pdf
test.ly
test.pdf
test.ly
.ly
test.ly
\version "2.22.1"
{
  c' e' g' e'
}

test.ly
lilypond test.ly

GNU LilyPond 2.22.1
Processing `test.ly'
Parsing...
Interpreting music...
Preprocessing graphical objects...
Solving 1 page-breaking chunks...[1: 1 pages]
Drawing systems...
Layout output to `test.ps'...
Converting to `./test.pdf'...
Success: compilation successfully completed

test.pdf
{
  c' e' g' e'
}

{ c' d' e' f' g' a' b' c'' g c' e' g' c'' e'' g'' c''' }

\relative {
  c' d e f
  g a b c
}

\relative {
  d' f a g
  c b f d
}

\relative {
  e'' c a c
}

\relative {
  b' c  % c は b よりも 1 譜表スペース上なので、c は b の上になります
  b d  % d は 2 つ上または 5 つ下なので、d は上になります
  b e  % e は 3 つ上または 4 つ下なので、e は上になります
  b a  % a は 6 つ上または 1 つ下なので、a は下になります
  b g  % g は 5 つ上または 2 つ下なので、g は下になります
  b f  % f は 4 つ上または 3 つ下なので、f は下になります
}

\relative {
  a' a, c' f,
  g g'' a,, f'
}

\relative {
  a'1
  a2 a4 a8 a
  a16 a a a a32 a a a a64 a a a a a a a a2
}

\relative {
  a'4 a a4. a8
  a8. a16 a a8. a8 a4.
}

\relative {
  a'4 r r2
  r8 a r4 r4. r8
}

\relative {
  \time 3/4
  a'4 a a
  \time 6/8
  a4. a
  \time 4/4
  a4 a a a
}

\relative {
  \time 3/4
  \tempo "Andante"
  a'4 a a
  \time 6/8
  \tempo 4. = 96
  a4. a
  \time 4/4
  \tempo  "Presto" 4 = 120
  a4 a a a
}

\relative {
  \clef "treble"
  c'1
  \clef "alto"
  c1
  \clef "tenor"
  c1
  \clef "bass"
  c1
}

\relative {
  \clef "bass"
  \time 3/4
  \tempo "Andante" 4 = 120
  c,2 e8 c'
  g'2.
  f4 e d
  c4 c, r
}

\version "2.23.3"

{ c4                       d
                   e   }

{
  c4 d e
}

a4 a a a
% このコメントは B を持つ行を参照します
b2 b

% 以下はキラキラ星です
  c4 c g' g a a g2

%{
  この行と以下の音符は無視されます。
  なぜなら、これらはブロック コメントの中にあるからです

  f4 f e e d d c2
%}

{
  …例がここに来ます…
}

\relative { g'1 e1 \bar "||" c2. c'4 \bar "|." }

\relative {
  g'1 | e1 | c2. c' | g4 c g e | c4 r r2 |
}

warning: barcheck failed at: 1/2
 g'1 | e1 | c2. c'
                   | g4 c g e | c4 r r2 |

\relative { cis''4 ees fisis, aeses }

\relative {
  \key d \major
  d'4 fis a c |
  \bar "||" \key c \minor
  c,4 ees g b |
}

\relative {
  \key d \major
  cis''4 d e fis
}

\relative {
  \key aes \major
  aes'4 c b c
}

\relative { g'4~ g c2~ | c4~ c8 a~ a2 | }

\relative { g'4~ 4 c2~ | 4~ 8 a~ 2 | }

\relative { d''4( c16) cis( d e c cis d) e( d4) }

\relative { g'4\( g8( a) b( c) b4\) }

\relative { c''4(~ c8 d~ 4 e) }

\relative {
  c''4-^ c-+ c-- c-!
  c4-> c-. c2-_
}

\relative { c''4-3 e-5 b-2 a-1 }

\relative { c''4_-^1 d^. f^4_2-> e^-_+ }

\relative { c''4\ff c\mf c\p c\pp }

\relative { c''4\< c\ff\> c c\! }

c''2^"espr" a'_"legato"

c''2^\markup { \bold espr }
a'2_\markup {
  \dynamic f \italic \small { 2nd } \hspace #0.1 \dynamic p
}

\relative { a'8 ais d ees r d c16 b a8 }

\relative { a'8[ ais] d[ ees r d] c16 b a8 }

\relative {
  \autoBeamOff
  a'8 c b4 d8. c16 b4 |
  \autoBeamOn
  a8 c b4 d8. c16 b4 |
}

\relative {
  \partial 8 f''8 |
  c2 d |
}

\relative {
  \tuplet 3/2 { f''8 g a }
  \tuplet 3/2 { c8 r c }
  \tuplet 3/2 { f,8 g16[ a g a] }
  \tuplet 3/2 { d4 a8 }
}

\relative {
  c''2 \grace { a32 b } c2 |
  c2 \appoggiatura b16 c2 |
  c2 \acciaccatura b16 c2 |
}

a'4

\relative { a'4 g4 }

\relative { { a'4 g } f4 g }

1

1 + 2

(1 + 2) * 3

((1 + 2) * 3) / (4 * 5)

<<
  \relative { a'2 g }
  \relative { f'2 e }
  \relative { d'2 b }
>>

\relative {
  c''2 <<c e>> |
  << { e2 f } { c2 <<b d>> } >> |
}

<<
  \new Staff { \clef "treble" c''4 }
  \new Staff { \clef "bass" c4 }
>>

<<
  \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
  \new Staff { \clef "bass" c4 }
>>

\new PianoStaff <<
  \new Staff …
  \new Staff …
>>

\new PianoStaff <<
  \new Staff \relative { \time 2/4 c''4 e | g g, | }
  \new Staff \relative { \clef "bass" c4 c' | e c | }
>>

\relative { r4 <c'' e g> <c f a>2 }

\relative {
  r4 <c'' e g>~ <c f a>2 |
  <c e g>8[ <c f a> <c e g> <c f a>]
    <c e g>8\>[ <c f a> <c f a> <c e g>]\! |
  r4 <c e g>8.\p <c f a>16( <c e g>4-. <c f a>) |
}

\relative {
  \key g \major
  \time 6/8
  d''4 b8 c4 a8 | d4 b8 g4
}

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4
  }
  \addlyrics {
    Girls and boys come out to play,
  }
>>

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4 g8 |
    a4 b8 c b a | d4 b8 g4. |
  }
  \addlyrics {
    Girls and boys come out to play,
    The moon doth shine as bright as day;
  }
>>

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4 g8 |
    a4 b8 c( b) a | d4 b8 g4. |
  }
  \addlyrics {
    Girls and boys come out to play,
    The moon doth shine as bright as day;
  }
>>

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4 g8 |
    a4 b8 c([ b]) a | d4 b8 g4. |
  }
  \addlyrics {
    Girls and boys come out to play,
    The moon doth shine as bright as day;
  }
>>

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4 g8 |
    a4 b8 c[ b] a | d4 b8 g4. |
  }
  \addlyrics {
    Girls and boys come out to play,
    The moon doth shine _ as bright as day;
  }
>>

<<
  \relative {
    \key g \minor
    \time 3/2
    g'2 a bes | bes2( a) b2 |
    c4.( bes8 a4. g8 fis4.) g8 | fis1
  }
  \addlyrics {
    When I am laid,
    am laid __ in earth,
  }
>>

<<
  \relative {
    \key g \major
    \time 3/4
    \partial 4
    d'4 | g4 g a8( b) | g4 g b8( c) |
    d4 d e | c2
  }
  \addlyrics {
    A -- way in a __ man -- ger,
    no __ crib for a bed,
  }
>>

<<
  \relative {
    \clef "bass"
    \key c \major
    \time 6/8
    c'4.~ 8 d b | c8([ d]) b c d b | c8
  }
  \addlyrics {
    Lar -- go_al fac -- to -- tum del -- la cit -- tà
  }
>>

<<
  \relative {
    \key f \major
    \time 6/8
    \partial 8
    c''8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
  }
  \addlyrics {
    Let flee -- cy flocks the hills a -- dorn, __
  }
  \relative {
    \key f \major
    \time 6/8
    \partial 8
    r8 | r4. r4 c'8 | a'8([ g]) f f([ e]) d | e8([ d]) c bes'4
  }
  \addlyrics {
    Let flee -- cy flocks the hills a -- dorn,
  }
>>

namedMusic = { … }

violin = \new Staff {
  \relative {
    a'4 b c b
  }
}

cello = \new Staff {
  \relative {
    \clef "bass"
    e2 d
  }
}

{
  <<
    \violin
    \cello
  >>
}

tripletA = \relative { \tuplet 3/2 { c'8 e g } }
barA = { \tripletA \tripletA \tripletA \tripletA }

{ \barA \barA }

myWidth = 60      % \paper 変数に渡す数字 (単位は mm)
myName = "Wendy"  % マークアップに渡す文字列
aFivePaper = \paper { #(set-paper-size "a5") }

\paper {
  \aFivePaper
  line-width = \myWidth
}

{
  c4^\myName
}

\version "2.23.3"

\header {
  title = "Symphony"
  composer = "Me"
  opus = "Op. 9"
}

{
  … music …
}

{
  \clef "bass"
  c'4 b g, g, |
  g,4 f, f c' |
}

{
  \key a \major
  \time 6/8
  cis''8. d''16 cis''8 e''4 e''8 |
  b'8. cis''16 b'8 d''4 d''8 |
}

\fixed c'' {
  \key a \major
  \time 6/8
  cis8. d16 cis8 e4 e8 |
  b,8. cis16 b,8 d4 d8 |
}

\relative {
  \key a \major
  \time 6/8
  cis''8. d16 cis8 e4 e8 |
  b8. cis16 b8 d4 d8 |
}

\relative { c'4 \relative { f'' g } c }

\relative {
  c'4 \fixed c { f'' g'' } c |
  c4 \fixed c'' { f g } c
}

\version "2.23.3"

\header { }

\score {
   … 複合音楽表記 …                   % すべての音楽がここに入ります！
  \layout { }
  \midi { }
}

\relative {
  c''4 a d c
}

\book {
  \score {
    \new Staff {
      \new Voice {
        \relative {
          c''4 a b c
        }
      }
    }
    \layout { }
  }
}

{
  \new StaffGroup <<
     … ワーグナーのオペラの楽譜全体がここに入ります … 
  >>
}

\score {
  { c'4 a b c' }
  \header { }
  \layout { }
  \midi { }
}

melody = \relative {
  c'4 a b c
}

\score {
  \melody
}

\score {
  <<
    \new Staff = "singer" <<
    >>
    \new PianoStaff = "piano" <<
    >>
  >>
  \layout { }
}

\score {
  <<
    \new Staff = "singer" <<
      \new Voice = "vocal" { c'1 }
      \addlyrics { And }
    >>
    \new PianoStaff = "piano" <<
      \new Staff = "upper" { c'1 }
      \new Staff = "lower" { c'1 }
    >>
  >>
  \layout { }
}

\relative {
  r4 d''8\noBeam g, c4 r
}

melody = \relative { r4 d''8\noBeam g, c4 r }
text   = \lyricmode { And God said, }
upper  = \relative { <g' d g,>2~ <g d g,> }
lower  = \relative { b,2 e }

\score {
  <<
    \new Staff = "singer" <<
      \new Voice = "vocal" { \melody }
      \addlyrics { \text }
    >>
    \new PianoStaff = "piano" <<
      \new Staff = "upper" { \upper }
      \new Staff = "lower" {
        \clef "bass"
        \lower
      }
    >>
  >>
  \layout { }
}

\new Staff {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff {
        f8 f c
      }
    >>
    r4 |
  }
}

\new Staff = "main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
      } { f8 f c }
    >>
    r4 |
  }
}

{ c'8-1--(~^\markup{"text annotation"} c' d') }

\relative { g'8\( a b[ c b\) a] g4 }

\relative {
  r16[ g' \tuplet 3/2 { r16 e'8] }
  g,16( a \tuplet 3/2 { b16 d) e }
  g,8[( a \tuplet 3/2 { b8 d) e~] } |
  \tuplet 5/4 { e32\( a, b d e } a4.\)
}

\relative {
  \key g \major
  <d' g>4 <d fis> <d a'> <d g>
}

\relative {
  \key g \major
  %    Voice = "1"             Voice = "2"
  << { g'4 fis8( g) a4 g } \\ { d4 d d d }  >>
}

\relative {
  \key d \minor
  %    Voice = "1"           Voice = "2"
  << { r4 g' g4. a8 }   \\ { d,2 d4 g }       >> |
  << { bes4 bes c bes } \\ { g4 g g8( a) g4 } >> |
  << { a2. r4 }         \\ { fis2. s4 }       >> |
}

<<
  \key d \minor
  \relative { % Voice = "1"
    r4 g' g4. a8 |
    bes4 bes c bes |
    a2. r4 |
  } \\
  \relative { % Voice = "2"
    d'2 d4 g |
    g4 g g8( a) g4 |
    fis2. s4 |
  }
>>

\new Staff \relative {
  % Main voice
  c'16 d e f
  %  Voice = "1"   Voice = "2"             Voice = "3"
  << { g4 f e } \\ { r8 e4 d c8~ } >> |
  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}

\new Staff \relative {
  % Main voice
  c'16 d e f
  %  Voice = "1"   Voice = "2"
  << { g4 f e } \\ { r8 e4 d c8~ } >> |
  \voices 1,3,2
  %  Voice = "1"   Voice = "3"    Voice = "2"
  << { d2 e }   \\ { s4 b c2 } \\ { c8 b16 a b8 g~ 2 } >> |
}

\new Staff \relative {
  % Main voice
  c'16 d e f
  <<  % Bar 1
    {
      \voiceOneStyle
      g4 f e
    }
  \\
    {
      \voiceTwoStyle
      r8 e4 d c8~
    }
  >> |
  <<  % Bar 2
     % Voice 1 continues
    { d2 e }
  \\
     % Voice 2 continues
    { c8 b16 a b8 g~ 2 }
  \\
    {
      \voiceThreeStyle
      s4 b c2
    }
  >> |
}

\relative { noteA << < noteB noteC > \\ noteD >> noteE }

\relative { noteA … }
<<
  \relative { < noteB noteC > … }
\\
  \relative { noteD … }
>>
\relative { noteE … }

\new Staff \relative {
  \key aes \major
  <<
    { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
  >> |
  <c ees aes c>1 |
}

\new Staff \relative {
  \key aes \major
  \voices 1,2,4   % ボイス 3 を省略
  <<  % ボイス 1
    { c''2 aes4. bes8 }
  \\  % ボイス 2
    { <ees, c>2 des }
  \\  % ボイス 4
    { aes'2 f4 fes }
  >> |
  <c ees aes c>1 |
}

\new Staff {
  \relative {
    << { e'4 f g a } \\ { c,4 d e f } >>
  }
}

\new Staff <<
  \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
  \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>

\relative {
  % Default behavior or behavior after \oneVoice
  c'4 d8~ 8 e4( f | g4 a) b-> c |
}

\relative {
  \voiceOne
  c'4 d8~ 8 e4( f | g4 a) b-> c |
  \oneVoice
  c,4 d8~ 8 e4( f | g4 a) b-> c |
}

\relative {
  \voiceTwo
  c'4 d8~ 8 e4( f | g4 a) b-> c |
  \oneVoice
  c,4 d8~ 8 e4( f | g4 a) b-> c |
}

\new Staff \relative {
  \voiceOneStyle
  % This section is homophonic
  c'16^( d e f
  % Start simultaneous section of three voices
  <<
    % Continue the main voice in parallel
    { g4 f e | d2 e) | }
    % Initiate second voice
    \new Voice {
      % Set stems, etc., down
      \voiceTwo
      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
    }
    % Initiate third voice
    \new Voice {
      % Set stems, etc, up
      \voiceThree
      s2. | s4 b c2 |
    }
  >>
}

\new Staff \relative {
  \new Voice = "main" {
    \voiceOneStyle
    % ここは単声です
    c'16^( d e f
    % 3 ボイスの同時進行表記を開始
    \voices "main",2,3
    <<
      % メインのボイスの続き
      { g4 f e | d2 e) | }
      % ボイス 2 の開始
    \\
      % 符幹などの向きが下になります
      { r8 e4 d c8~ | 8 b16 a b8 g~ 2 | }
    \\
      % ボイス 3 の開始
      % 符幹などの向きが上になります
      { s2. | s4 b c2 | }
    >>
  }
}

\new Staff \relative {
  c'16^( d e f
  <<
    { g4 f e | d2 e) | }
    \new Voice {
      \voiceTwo
      r8 e4 d c8~ |
      <<
        { c8 b16 a b8 g~ 2 | }
        \new Voice {
          \voiceThree
          s4 b c2 |
        }
      >>
    }
  >>
}

\new Staff \relative <<
  % Initiate first voice
  \new Voice {
    \voiceOne
    c'16^( d e f g4 f e | d2 e) |
  }
  % Initiate second voice
  \new Voice {
    % Set stems, etc, down
    \voiceTwo
    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
  }
  % Initiate third voice
  \new Voice {
    % Set stems, etc, up
    \voiceThree
    s1 | s4 b c2 |
  }
>>

<<
  \new Voice = "one" {
    \relative {
      \autoBeamOff
      \time 2/4
      c''4 b8. a16 | g4. f8 | e4 d | c2 |
    }
  }
  \new Lyrics \lyricsto "one" {
    No more let | sins and | sor -- rows | grow. |
  }
>>

global = { \key f \major \time 6/8 \partial 8 }

SopOneMusic = \relative {
  c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
  Let | flee -- cy flocks the | hills a -- dorn, __
}
SopTwoMusic = \relative {
  r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
  Let | flee -- cy flocks the | hills a -- dorn,
}

\score {
  \new ChoirStaff <<
    \new Staff <<
      \new Voice = "SopOne" {
        \global
        \SopOneMusic
      }
      \new Lyrics \lyricsto "SopOne" {
        \SopOneLyrics
      }
    >>
    \new Staff <<
      \new Voice = "SopTwo" {
        \global
        \SopTwoMusic
      }
      \new Lyrics \lyricsto "SopTwo" {
        \SopTwoLyrics
      }
    >>
  >>
}

keyTime = { \key c \major \time 4/4 \partial 4 }

SopMusic   = \relative { c'4 | e4. e8 g4  g    | a4   a   g  }
AltoMusic  = \relative { c'4 | c4. c8 e4  e    | f4   f   e  }
TenorMusic = \relative {  e4 | g4. g8 c4.   b8 | a8 b c d e4 }
BassMusic  = \relative {  c4 | c4. c8 c4  c    | f8 g a b c4 }

VerseOne =
  \lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
VerseTwo   =
  \lyricmode { O | Christ, whose voice the | wa -- ters heard, }
VerseThree =
  \lyricmode { O | Ho -- ly Spi -- rit, | who didst brood }
VerseFour  =
  \lyricmode { O | Tri -- ni -- ty of | love and pow'r }

\score {
  \new ChoirStaff <<
    \new Staff <<
      \clef "treble"
      \new Voice = "Sop"  { \voiceOne \keyTime \SopMusic }
      \new Voice = "Alto" { \voiceTwo \AltoMusic }
      \new Lyrics \lyricsto "Sop" { \VerseOne   }
      \new Lyrics \lyricsto "Sop" { \VerseTwo   }
      \new Lyrics \lyricsto "Sop" { \VerseThree }
      \new Lyrics \lyricsto "Sop" { \VerseFour  }
    >>
    \new Staff <<
      \clef "bass"
      \new Voice = "Tenor" { \voiceOne \keyTime \TenorMusic }
      \new Voice = "Bass"  { \voiceTwo \BassMusic }
    >>
  >>
}

\relative { cis''4 cis2. | a4 a2. | }

\new type music-expression

\score {  % 複合音楽表記の開始点
  <<  % 同時進行する譜の開始点
    \time 2/4
    \new Staff {  % create RH staff
      \clef "treble"
      \key g \minor
      \new Voice {  % 右手の音符用のボイスを作成します
        \relative {  % 右手の音符の開始点
          d''4 ees16 c8. |
          d4 ees16 c8. |
        }  % 右手の音符の終了点
      }  % 右手のボイスの終了点
    }  % 右手の譜の終了点
    \new Staff <<  % 左手の譜を作成します。2 つの同時進行するボイスを必要とします
      \clef "bass"
      \key g \minor
      \new Voice {  % 左手のボイス 1 を作成します
        \voiceOne
        \relative {  % 左手のボイス 1 の音符の開始点
          g8 <bes d> ees, <g c> |
          g8 <bes d> ees, <g c> |
        }  % 左手のボイス 1 の音符の終了点
      }  % 左手のボイス 1 の終了点
      \new Voice {  % 左手のボイス 2 を作成します
        \voiceTwo
        \relative {  % 左手のボイス 2 の音符の開始点
          g4 ees |
          g4 ees |
        }  % 左手のボイス 2 の音符の終了点
      }  % 左手のボイス 2 の終了点
    >>  % 左手の譜の終了点
  >>  % 同時進行する譜セクションの終了点
}  % 複合音楽表記の終了点

\new type = id music-expression

\set ContextName.propertyName = #value

<<
  \new Staff \relative {
    \set Staff.clefGlyph = "clefs.C"
    c''2 c
  }
  \new Staff \relative {
    \set clefGlyph = "clefs.F"  % Wrong!
    d'2 d
  }
>>

<<
  \new Staff \relative {
    aeses'2 aes
  }
  \new Staff \relative {
    \set Staff.extraNatural = ##f
    aeses'2 aes
  }
>>

<<
  \new Staff \relative {
    aeses'2 aes
  }
  \new Staff \relative {
    \set Score.extraNatural = ##f
    aeses'2 aes
  }
>>

\relative {
  c'4 d
  % 符頭を小さくします
  \set fontSize = #-4
  e4 f |
  % 符頭を大きくします
  \set fontSize = #2.5
  g4 a
  % デフォルトのサイズに戻します
  \unset fontSize
  b4 c |
}

\new Staff \with { extraNatural = ##f }

<<
  \new Staff {
    \relative {
      gisis'4 gis aeses aes
    }
  }
  \new Staff \with { extraNatural = ##f } {
    \relative {
      gisis'4 gis aeses aes
    }
  }
>>

\score {
  \new Staff {
    \relative {
      cisis''4 e d cis
    }
  }
  \layout {
    \context {
      \Staff
      extraNatural = ##t
    }
  }
}

\score {
  <<
    \new Staff {
      \relative {
        gisis'4 gis aeses aes
      }
    }
    \new Staff {
      \relative {
        gisis'4 gis aeses aes
      }
    }
  >>
  \layout {
    \context {
      \Score extraNatural = ##f
    }
  }
}

\new Staff \with {
  \remove "Staff_symbol_engraver"
}
\relative {
  c'4 d
  \set fontSize = #-4  % 符頭を小さくします
  e4 f |
  \set fontSize = #2.5  % 符頭を大きくします
  g4 a
  \unset fontSize  % デフォルトのサイズに戻します
  b4 c |
}

\new Staff <<
  \new Voice \with {
    \consists "Ambitus_engraver"
  } {
    \relative {
      \voiceOne
      c''4 a b g
    }
  }
  \new Voice {
    \relative {
      \voiceTwo
      c'4 e d f
    }
  }
>>

\new Staff \with {
  \consists "Ambitus_engraver"
}
<<
  \new Voice {
    \relative {
      \voiceOne
      c''4 a b g
    }
  }
  \new Voice {
    \relative {
      \voiceTwo
      c'4 e d f
    }
  }
>>

\score {
  <<
    \new Staff {
      \relative {
        c''4 a b g
      }
    }
    \new Staff {
      \relative {
        c'4 a b g
      }
    }
    \new Staff {
      \clef "G_8"
      \relative {
        c'4 a b g
      }
    }
    \new Staff {
      \clef "bass"
      \relative {
        c4 a b g
      }
    }
  >>
  \layout {
    \context {
      \Staff
      \consists "Ambitus_engraver"
    }
  }
}

\version "2.23.3"

melody = \relative {
  \clef "treble"
  \key c \major
  \time 4/4
  a4 b c d
}

text = \lyricmode {
  Aaa Bee Cee Dee
}

\score {
  <<
    \new Voice = "one" {
      \autoBeamOff
      \melody
    }
    \new Lyrics \lyricsto "one" \text
  >>
  \layout { }
  \midi { }
}

\version "2.23.3"

melody = \relative {
  \clef "treble"
  \key c \major
  \time 4/4
  a4 b c d
}

\score {
  \new Staff \melody
  \layout { }
  \midi { }
}

\version "2.23.3"

sopranoMusic = \relative {
  \clef "treble"
  \key c \major
  \time 4/4
  a4 b c d
}

sopranoLyrics = \lyricmode {
  Aaa Bee Cee Dee
}

celloMusic = \relative {
  \clef "bass"
  \key c \major
  \time 4/4
  d4 g fis8 e d4
}

\score {
  <<
    \new Voice = "one" {
      \autoBeamOff
      \sopranoMusic
    }
    \new Lyrics \lyricsto "one" \sopranoLyrics
  >>
  \layout { }
  \midi { }
}

\new Staff \celloMusic

\score {
  <<
  <<
    \new Voice = "one" {
      \autoBeamOff
      \sopranoMusic
    }
    \new Lyrics \lyricsto "one" \sopranoLyrics
  >>
  \new Staff \celloMusic
  >>
  \layout { }
  \midi { }
}

sopranoMusic = \relative {
  \clef "treble"
  \key c \major
  \time 4/4
  a4 b c d
}

sopranoLyrics = \lyricmode {
  Aaa Bee Cee Dee
}

celloMusic = \relative {
  \clef "bass"
  \key c \major
  \time 4/4
  d4 g fis8 e d4
}

\score {
  <<
    <<
      \new Voice = "one" {
        \autoBeamOff
        \sopranoMusic
      }
      \new Lyrics \lyricsto "one" \sopranoLyrics
    >>
    \new Staff \celloMusic
  >>
  \layout { }
  \midi { }
}

\new ChoirStaff <<
  \new Staff = "sopranos"
  \with { instrumentName = "Soprano" }
  <<
    \new Voice = "sopranos" {
      \global
      \sopranoMusic
    }
  >>
  \new Lyrics \lyricsto "sopranos" {
    \sopranoWords
  }
  \new Staff = "altos"
  \with { instrumentName = "Alto" }
  <<
    \new Voice = "altos" {
      \global
      \altoMusic
    }
  >>
  \new Lyrics \lyricsto "altos" {
    \altoWords
  }
  \new Staff = "tenors"
  \with { instrumentName = "Tenor" }
  <<
    \new Voice = "tenors" {
      \global
      \tenorMusic
    }
  >>
  \new Lyrics \lyricsto "tenors" {
    \tenorWords
  }
  \new Staff = "basses"
  \with { instrumentName = "Bass" }
  <<
    \new Voice = "basses" {
      \global
      \bassMusic
    }
  >>
  \new Lyrics \lyricsto "basses" {
    \bassWords
  }
>>  % end ChoirStaff

\new PianoStaff \with { instrumentName = "Piano  " }
<<
  \new Staff = "upper" \upper
  \new Staff = "lower" \lower
>>

<<  % combine ChoirStaff and PianoStaff one above the other
  \new ChoirStaff <<
    \new Staff = "sopranos" <<
      \new Voice = "sopranos" {
        \global
        \sopranoMusic
      }
    >>
    \new Lyrics \lyricsto "sopranos" {
      \sopranoWords
     }
    \new Staff = "altos" <<
      \new Voice = "altos" {
        \global
        \altoMusic
      }
    >>
    \new Lyrics \lyricsto "altos" {
      \altoWords
    }
    \new Staff = "tenors" <<
      \clef "G_8"  % tenor clef
      \new Voice = "tenors" {
        \global
        \tenorMusic
      }
    >>
    \new Lyrics \lyricsto "tenors" {
      \tenorWords
    }
    \new Staff = "basses" <<
      \clef "bass"
      \new Voice = "basses" {
        \global
        \bassMusic
      }
    >>
    \new Lyrics \lyricsto "basses" {
      \bassWords
    }
  >>  % end ChoirStaff

  \new PianoStaff \with { instrumentName = "Piano" }
  <<
    \new Staff = "upper" \upper
    \new Staff = "lower" \lower
  >>
>>

global = { \key d \major \time 4/4 }
sopranoMusic = \relative {
  \clef "treble"
  r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
  Wor -- thy | is the lamb | that was slain |
}
altoMusic = \relative {
  \clef "treble"
  r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
tenorMusic = \relative {
  \clef "G_8"
  r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
bassMusic = \relative {
  \clef "bass"
  r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative {
  \clef "treble"
  \global
  r4 <a' d fis>2 <a e' a>4 |
  <d fis d'>4. <d fis d'>8 <a d a'>2 |
  <g cis g'>4 <a d fis> <a cis e>2 |
}
lower = \relative {
  \clef "bass"
  \global
  <d, d'>4 <d d'>2 <cis cis'>4 |
  <b b'>4. <b' b'>8 <fis fis'>2 |
  <e e'>4 <d d'> <a' a'>2 |
}

\score {
  <<  % ChoirStaff と PianoStaff を並行に組み合わせます
    \new ChoirStaff <<
      \new Staff = "sopranos"
      \with { instrumentName = "Soprano" }
      <<
        \new Voice = "sopranos" {
          \global
          \sopranoMusic
        }
      >>
      \new Lyrics \lyricsto "sopranos" {
        \sopranoWords
      }
      \new Staff = "altos"
      \with { instrumentName = "Alto" }
      <<
        \new Voice = "altos" {
          \global
          \altoMusic
        }
      >>
      \new Lyrics \lyricsto "altos" {
        \altoWords
      }
      \new Staff = "tenors"
      \with { instrumentName = "Tenor" }
      <<
        \new Voice = "tenors" {
          \global
          \tenorMusic
        }
      >>
      \new Lyrics \lyricsto "tenors" {
        \tenorWords
      }
      \new Staff = "basses"
      \with { instrumentName = "Bass" }
      <<
        \new Voice = "basses" {
          \global
          \bassMusic
        }
      >>
      \new Lyrics \lyricsto "basses" {
        \bassWords
      }
    >>  % ChoirStaff の終了

    \new PianoStaff
    \with { instrumentName = "Piano  " }
    <<
      \new Staff = "upper" \upper
      \new Staff = "lower" \lower
    >>
  >>
}

\version "2.23.3"
\header {
  title = "Jesu, meine Freude"
  composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
ManualOneVoiceOneMusic = { s1 }
ManualOneVoiceTwoMusic = { s1 }
ManualTwoMusic = { s1 }
PedalOrganMusic = { s1 }

\score {
}

\new PianoStaff <<
  \new Staff = "ManualOne" <<
    \new Voice {
      \ManualOneVoiceOneMusic
    }
    \new Voice {
      \ManualOneVoiceTwoMusic
    }
  >>  % ManualOne Staff コンテキストの終了
  \new Staff = "ManualTwo" <<
    \new Voice {
      \ManualTwoMusic
    }
  >>  % ManualTwo Staff コンテキストの終了
>>  % PianoStaff コンテキストの終了

<<  % PianoStaff と Pedal Staff を同時進行させる必要があります
  \new PianoStaff <<
    \new Staff = "ManualOne" <<
      \new Voice {
        \ManualOneVoiceOneMusic
      }
      \new Voice {
        \ManualOneVoiceTwoMusic
      }
    >>  % ManualOne Staff コンテキストの終了
    \new Staff = "ManualTwo" <<
      \new Voice {
        \ManualTwoMusic
      }
    >>  % ManualTwo Staff コンテキストの終了
  >>  % PianoStaff コンテキストの終了
  \new Staff = "PedalOrgan" <<
    \new Voice {
      \PedalOrganMusic
    }
  >>
>>

\score {
  <<  % PianoStaff と Pedal Staff を同時進行させる必要があります
    \new PianoStaff <<
      \new Staff = "ManualOne" <<
        \keyTime  % 調号と拍子記号をセットします
        \clef "treble"
        \new Voice {
          \voiceOne
          \ManualOneVoiceOneMusic
        }
        \new Voice {
          \voiceTwo
          \ManualOneVoiceTwoMusic
        }
      >>  % ManualOne Staff コンテキストの終了
      \new Staff = "ManualTwo" <<
        \keyTime
        \clef "bass"
        \new Voice {
          \ManualTwoMusic
        }
      >>  % ManualTwo Staff コンテキストの終了
    >>  % PianoStaff コンテキストの終了
    \new Staff = "PedalOrgan" <<
      \keyTime
      \clef "bass"
      \new Voice {
        \PedalOrganMusic
      }
    >>  % PedalOrgan Staff の終了
  >>
}  % Score コンテキストの終了

scm/define-grobs.scm
ly/engraver-init.ly
\score {
  <<  % PianoStaff と Pedal Staff を同時進行させる必要があります
    \new PianoStaff <<
      \new Staff = "ManualOne" <<
        \keyTime  % 調号と拍子記号をセットします
        \clef "treble"
        \new Voice {
          \voiceOne
          \ManualOneVoiceOneMusic
        }
        \new Voice {
          \voiceTwo
          \ManualOneVoiceTwoMusic
        }
      >>  % ManualOne Staff コンテキストの終了
      \new Staff = "ManualTwo" \with {
        \override VerticalAxisGroup.staff-staff-spacing.stretchability = 5
      } <<
        \keyTime
        \clef "bass"
        \new Voice {
          \ManualTwoMusic
        }
      >>  % ManualTwo Staff コンテキストの終了
    >>  % PianoStaff コンテキストの終了
    \new Staff = "PedalOrgan" <<
      \keyTime
      \clef "bass"
      \new Voice {
        \PedalOrganMusic
      }
    >>  % PedalOrgan Staff の終了
  >>
}  % Score コンテキストの終了

\header {
  title = "Jesu, meine Freude"
  composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
ManualOneVoiceOneMusic = \relative {
  g'4 g f ees |
  d2 c |
}
ManualOneVoiceTwoMusic = \relative {
  ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
  8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative {
  c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
  f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
PedalOrganMusic = \relative {
  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
  r16 g ees f g f g8 c,2 |
}

\score {
  <<  % PianoStaff と Pedal Staff を同時進行させる必要があります
    \new PianoStaff <<
      \new Staff = "ManualOne" <<
        \keyTime  % 調号と拍子記号をセットします
        \clef "treble"
        \new Voice {
          \voiceOne
          \ManualOneVoiceOneMusic
        }
        \new Voice {
          \voiceTwo
          \ManualOneVoiceTwoMusic
        }
      >>  % ManualOne Staff コンテキストの終了
      \new Staff = "ManualTwo" \with {
        \override VerticalAxisGroup.staff-staff-spacing.stretchability = 5
      } <<
        \keyTime
        \clef "bass"
        \new Voice {
          \ManualTwoMusic
        }
      >>  % ManualTwo Staff コンテキストの終了
    >>  % PianoStaff コンテキストの終了
    \new Staff = "PedalOrgan" <<
      \keyTime
      \clef "bass"
      \new Voice {
        \PedalOrganMusic
      }
    >>  % PedalOrgan Staff コンテキストの終了
  >>
}  % Score コンテキストの終了

hornNotes = \relative { c''4 b dis c }

\score {
  {
    \hornNotes
  }
}

fragmentA = \relative { a'4 a8. b16 }
fragmentB = \relative { a'8. gis16 ees4 }

violin = \new Staff {
  \fragmentA \fragmentA |
  \fragmentB \fragmentA |
}

\score {
  {
    \violin
  }
}

dolce = \markup { \italic \bold dolce }

centreText = { \once \override TextScript.self-alignment-X = #CENTER }

fthenp =_\markup {
  \dynamic f \italic \small { 2nd } \hspace #0.1 \dynamic p
}

violin = \relative {
  \repeat volta 2 {
    c''4._\dolce b8 a8 g a b |
    \centreText
    c4.^"hi there!" d8 e f g d |
    c4.\fthenp b8 c4 c-. |
  }
}

\score {
  {
    \violin
  }
}

violin = \relative {
  \repeat volta 2 {
    c''4._\markup { \italic \bold dolce } b8 a8 g a b |
    \once \override TextScript.self-alignment-X = #CENTER
    c4.^"hi there!" d8 e f g d |
    c4._\markup {
      \dynamic f \italic \small { 2nd } \hspace #0.1 \dynamic p
    }
    b8 c4 c-. |
  }
}

padText =
#(define-music-function
     (padding)
     (number?)
   #{
     \once \override TextScript.padding = #padding
   #})

\relative {
  c''4^"piu mosso" b a b
  \padText #1.8
  c4^"piu mosso" b a b
  \padText #2.6
  c4^"piu mosso" b a b
}

hornNotes = \relative {
  \time 2/4
  r4 f8 a | cis4 f | e4 d |
}

\include "horn-music.ly"

\header {
  instrument = "Horn in F"
}

{
 \transpose f c' \hornNotes
}

\include "horn-music.ly"

horn-music.ly
R2*3

\compressMMRests { ... }

bassoon-music.ly
\include "bassoon-music.ly"
\include "horn-music.ly"

<<
  \new Staff \hornNotes
  \new Staff \bassoonNotes
>>

\override Context.LayoutObject.layout-property = #value

\relative {
  c'4 d
  \override NoteHead.color = #red
  e4 f |
  \override NoteHead.color = #green
  g4 a b c |
}

\revert Context.LayoutObject.layout-property

\relative {
  c'4 d
  \override NoteHead.color = #red
  e4 f |
  \override NoteHead.color = #green
  g4 a
  \revert NoteHead.color
  b4 c |
}

\relative {
  c'4 d
  \override NoteHead.color = #red
  e4 f |
  \once \override NoteHead.color = #green
  g4 a
  \once \revert NoteHead.color
  b c |
  \revert NoteHead.color
  f2 c |
}

\relative {
  c'4( d)
  \once \slurDashed
  e4( f) |
  g4( a)
  \once \hideNotes
  b( c) |
}

\relative {
  <c' e g>4
  \once \override NoteHead.font-size = #-3
  <c e g>4
  <c e g>4
}

\relative {
  <c' e g>4
  <c \tweak font-size #-3 e g>4
}

\tweak layout-property #value

a'4^"Black"
  -\tweak color #red ^"Red"
  -\tweak color #green _"Green"

<\tweak Accidental.color #red   cis''4
 \tweak Accidental.color #green es''
 g''>

\tweak LayoutObject.layout-property #value

\relative c'' {
  \tweak direction #up
  \tuplet 3/4 {
    \tweak color #red
    \tuplet 3/2 { c8[ c c] }
    \tuplet 3/2 { c8[ c c] }
    \tuplet 3/2 { c8[ c c] }
  }
}

\relative {
  \tuplet 3/2 { c'8[ c c] }
  \once \override TupletNumber.text = #tuplet-number::calc-fraction-text
  \tuplet 3/2 {
    c8[ c]
    c8[ c]
    \once \override TupletNumber.transparent = ##t
    \tuplet 3/2 { c8[ c c] }
    \tuplet 3/2 { c8[ c c] }
  }
}

emphNoteHead = {
  \override NoteHead.color = #red
  \override NoteHead.font-size = 2
}
\relative {
  c''4 a \once \emphNoteHead f d |
}

emphNoteHead = {
  \override NoteHead.color = #red
  \override NoteHead.font-size = 2
}
\relative {
   <c'' a \single \emphNoteHead f d>4
}

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8 bes[( g]) g |
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

thickness (number)
     1.2
     Line thickness, generally measured in line-thickness

\override Slur.thickness = #5.0

{
  \key es \major
  \time 6/8
  \relative {
    % これ以降にある全てのスラーの太さを 1.2 から 5.0 にします
    \override Slur.thickness = #5.0
    r4 bes'8 bes[( g]) g |
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8
    % 直後にあるスラーのみを太くします
    \once \override Slur.thickness = #5.0
    bes8[( g]) g |
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8
    % 直後にあるスラーのみを太くします
    \once \override Slur.thickness = #5.0
    bes[( g]) g |
    % 直後にあるスラーのみを太くします
    \once \override Slur.thickness = #5.0
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8
    % 以後のスラーの太さを 1.2 から 5.0 に増やします
    \override Slur.thickness = #5.0
    bes[( g]) g |
    g8[( es]) es
    % 以後のスラーの太さをデフォルトの 1.2 に戻します
    \revert Slur.thickness
    d8[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

\override LyricText.font-shape = #'italic

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8 bes[( g]) g |
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    \override LyricText.font-shape = #'italic
    The man who | feels love's sweet e -- | mo -- tion
  }
}

\relative {
  \time 12/16
  \override BarLine.stencil = ##f
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.BarLine.stencil = ##f
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \omit Staff.BarLine
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  c''4 c
  \once \override NoteHead.stencil = #point-stencil
  c4 c
}

\relative {
  \time 12/16
  \override Staff.BarLine.break-visibility = ##(#f #f #f)
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.TimeSignature.transparent = ##t
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \hide Staff.TimeSignature
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \omit Staff.TimeSignature
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.BarLine.color = #white
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.BarLine.color = #(x11-color 'white)
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.BarLine.color = #(rgb-color 1 1 1)
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.StaffSymbol.color = #(x11-color 'grey30)
  \override Staff.TimeSignature.color = #(x11-color 'grey60)
  \override Staff.Clef.color = #(x11-color 'grey60)
  \override Voice.NoteHead.color = #(x11-color 'grey85)
  \override Voice.Stem.color = #(x11-color 'grey85)
  \override Staff.BarLine.color = #(x11-color 'grey10)
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main" }
      { f8 f c }
    >>
    r4 |
  }
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
      }
      {
        \omit Staff.Clef
        \omit Staff.TimeSignature
        { f8 f c }
      }
    >>
    r4 |
  }
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
        % この譜には音部記号を譜刻しません
        \override Clef.stencil = ##f
        % この譜には拍子記号を譜刻しません
        \override TimeSignature.stencil = ##f
      }
      { f8 f c }
    >>
    r4 |
  }
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
        % この譜には音部記号を譜刻しません
        \omit Clef
        % この譜には拍子記号を譜刻しません
        \omit TimeSignature
      }
      { f8 f c }
    >>
    r4 |
  }
}

\override NoteHead.font-size = #-2

\set fontSize = #-2

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
        \omit Clef
        \omit TimeSignature
        % すべてのフォント サイズを約 24% 減らします
        fontSize = #-2
      }
      { f8 f c }
    >>
    r4 |
  }
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
        \omit Clef
        \omit TimeSignature
        fontSize = #-2
        % 符幹の長さと譜線の間隔を減らします
        \override StaffSymbol.staff-space = #(magstep -2)
      }
      { f8 f c }
    >>
    r4 |
  }
}

c''2^"Text1"
c''2^"Text2" |
c''2^"Text3"
c''2^"Text4" |

<<
  \new Staff {
    \relative { c'4 a, }
  }
  \new Staff {
    \relative { c''''4 a, }
  }
>>

a'4( g') c''( a') |
\override Slur.direction = #DOWN
a'4( g') c''( a') |
\override Slur.direction = #UP
a'4( g') c''( a') |
\revert Slur.direction
a'4( g') c''( a') |

a'4( g') c''( a') |
a'4^( g') c''_( a') |

\relative {
  c''4-5 a-3 f-1 c'-5 |
  \override Fingering.direction = #DOWN
  c4-5 a-3 f-1 c'-5 |
  \override Fingering.direction = #UP
  c4-5 a-3 f-1 c'-5 |
}

\relative {
  c''4-5 a-3 f-1 c'-5 |
  c4_5 a_3 f_1 c'_5 |
  c4^5 a^3 f^1 c'^5 |
}

\relative {
  <c''-5 g-3>4
  <c-5 g-3 e-2>4
  <c-5 g-3 e-2 c-1>4
}

\relative {
  <c''-5 g-3 e-2 c-1>4
  <c^5 g_3 e_2 c_1>4
  <c^5 g^3 e^2 c_1>4
}

\set fingeringOrientations = #'([up] [left/right] [down])

\relative {
  \set fingeringOrientations = #'(left)
  <f'-2>4
  <c-1 e-2 g-3 b-5>4
  \set fingeringOrientations = #'(left)
  <f-2>4
  <c-1 e-2 g-3 b-5>4 |
  \set fingeringOrientations = #'(up left down)
  <f-2>4
  <c-1 e-2 g-3 b-5>4
  \set fingeringOrientations = #'(up left)
  <f-2>4
  <c-1 e-2 g-3 b-5>4 |
  \set fingeringOrientations = #'(right)
  <f-2>4
  <c-1 e-2 g-3 b-5>4
}

\relative {
  \override Fingering.font-size = #-7
  \set fingeringOrientations = #'(left)
  <f'-2>4
  <c-1 e-2 g-3 b-5>4
  \set fingeringOrientations = #'(left)
  <f-2>4
  <c-1 e-2 g-3 b-5>4 |
  \set fingeringOrientations = #'(up left down)
  <f-2>4
  <c-1 e-2 g-3 b-5>4
  \set fingeringOrientations = #'(up left)
  <f-2>4
  <c-1 e-2 g-3 b-5>4 |
  \set fingeringOrientations = #'(right)
  <f-2>4
  <c-1 e-2 g-3 b-5>4
}

% 以降のテキスト スパナの詳細を設定します
\override TextSpanner.bound-details.left.text
    = \markup { \small \bold Slower }
% 強弱記号を譜の上に配置します
\dynamicUp
% オッターバ囲みの開始
\ottava #1
c''4 \startTextSpan
% 強弱テキストとヘアピンを付け加えます
c''4\pp\<
c''4
% テキスト スクリプトを付け加えます
c''4^Text |
c''4 c''
% 強弱テキストを付け加え、強弱ヘアピンを終わらせます
c''4\ff c'' \stopTextSpan |
% オッターバ囲みを終わらせます
\ottava #0
c'4 c' c' c' |

% 以降のテキスト スパナの詳細を設定します
\override TextSpanner.bound-details.left.text
    = \markup { \small \bold Slower }
% 強弱記号を譜の上に配置します
\dynamicUp
% 以降のオッターバ囲みをテキスト スパナの下に配置します
\once \override Staff.OttavaBracket.outside-staff-priority = #340
% オッターバ囲みの開始
\ottava #1
c''4 \startTextSpan
% 強弱テキストを付け加えます
c''4\pp
% 強弱の線スパナを付け加えます
c''4\<
% テキスト スクリプトを付け加えます
c''4^Text |
c''4 c''
% 強弱テキストを付け加えます
c''4\ff c'' \stopTextSpan |
% オッターバ囲みを終わらせます
\ottava #0
c'4 c' c' c' |

\relative c'' {
  c4( c^\markup { \tiny \sharp } d4.) c8 |
  c4(
    \once \override TextScript.avoid-slur = #'inside
    \once \override TextScript.outside-staff-priority = ##f
    c4^\markup { \tiny \sharp } d4.) c8 |
  \once \override Slur.outside-staff-priority = #500
    c4( c^\markup { \tiny \sharp } d4.) c8 |
}

c''2^"Text1"
c''2^"Text2" |
\once \override TextScript.outside-staff-priority = #500
c''2^"Text3"
c''2^"Text4" |

\textLengthOn  % 音符の間隔を広げてテキストに揃えます
c''2^"Text1"
c''2^"Text2" |
c''2^"Text3"
c''2^"Text4" |

\relative {
  % このマークアップは短いため衝突は起きません
  c''2^"Tex" c'' |
  R1 |

  % このマークアップは長くて納まりきらないため、上に押し上げられます
  c,,2^"Text" c'' |
  R1 |

  % 衝突回避を OFF にします
  \once \override TextScript.outside-staff-priority = ##f
  c,,2^"Long Text   " c'' |
  R1 |

  % 衝突回避を OFF にします
  \once \override TextScript.outside-staff-priority = ##f
  \textLengthOn        % そして textLengthOn を ON にします
  c,,2^"Long Text   "  % 後ろにスペースが付け加えられます
  c''2 |
}

\relative {
  \clef "bass"
  \key aes \major
  \time 9/8
  \dynamicUp
  bes4.~\f\< \( bes4 bes8 des4\ff\> c16 bes\! |
  ees,2.~\)\mf ees4 r8 |
}

\dynamicUp
\relative { a'4\f b\mf a\mp b\p }

\override DynamicText.extra-spacing-width = #'(-0.5 . 0.5)

\dynamicUp
% Extend width by 1 staff space
\override DynamicText.extra-spacing-width = #'(-0.5 . 0.5)
\relative { a'4\f b\mf a\mp b\p }

<<
  \new ChoirStaff
  <<
    \new Staff {
      \new Voice = "music" {
        b'2 c' c' c'
      }
    }
    \new Lyrics \with {
      \override VerticalAxisGroup.
        nonstaff-relatedstaff-spacing.padding = #5
      \override VerticalAxisGroup.
        nonstaff-unrelatedstaff-spacing.padding = #5
    }
    \lyricsto "music" {
      Here are some lyrics
    }
    \new Staff {
      \clef bass e'2 f e c
    }
  >>
  \new PianoStaff
  <<
    \new Staff {
      g''2 c'' c'' a''
    }
    \new Staff {
      \clef bass e2 f c e
    }
  >>
>>

<<
  \new ChoirStaff \with {
    \override StaffGrouper.
      staffgroup-staff-spacing.basic-distance = #15
  }
  <<
    \new Staff {
      \new Voice = "music" {
        b'2 c' c' c'
      }
    }
    \new Lyrics \with {
      \override VerticalAxisGroup.
        nonstaff-relatedstaff-spacing.padding = #2
      \override VerticalAxisGroup.
        nonstaff-unrelatedstaff-spacing.padding = #2
    }
    \lyricsto "music" {
      Here are some lyrics
    }
    \new Staff {
      \clef bass e'2 f e c
    }
  >>
  \new PianoStaff
  <<
    \new Staff {
      g''2 c'' c'' a''
    }
    \new Staff {
      \clef bass e2 f c e
    }
  >>
>>

<<
  \new ChoirStaff \with {
    \override StaffGrouper.
      staffgroup-staff-spacing.basic-distance = #15
  }
  <<
    \new Staff {
      \new Voice = "music" {
        b'2 c' c' c'
      }
    }
    \new Lyrics \with {
      \override VerticalAxisGroup.
        nonstaff-relatedstaff-spacing.padding = #2
      \override VerticalAxisGroup.
        nonstaff-unrelatedstaff-spacing.padding = #2
    }
    \lyricsto "music" {
      Here are some lyrics
    }
    \new Staff {
      \clef bass e'2 f e c
    }
  >>
  \new PianoStaff \with {
    \override StaffGrouper.staff-staff-spacing = #'(
                            (basic-distance . 0)
                            (padding . 0))
  }
  <<
    \new Staff {
      g''2 c'' c'' a''
    }
    \new Staff {
      \clef bass e2 f c e
    }
  >>
>>

c'2\fermata
\override Script.padding = #3
b2\fermata

% これは機能しません。この下を見てください
\override MetronomeMark.padding = #3
\tempo 4 = 120
c'1 |
% これは機能します
\override Score.MetronomeMark.padding = #3
\tempo 4 = 80
d'1 |

sesquisharp = \markup { \sesquisharp }
\relative {
  c''4
  % これは 1.5 倍シャープを譜刻しますが、スペースが小さすぎます
  \once \override Accidental.stencil = #ly:text-interface::print
  \once \override Accidental.text = #sesquisharp
  cis4 c
  % これはスペースを改善しています
  \once \override Score.AccidentalPlacement.right-padding = #0.6
  \once \override Accidental.stencil = #ly:text-interface::print
  \once \override Accidental.text = #sesquisharp
  cis4 |
}

\override DynamicLineSpanner.staff-padding = #3
\relative { a'4\f b\mf a\p b\mp }

\voiceOne
<a''\2>
\once \override StringNumber.self-alignment-X = #RIGHT
<a''\2>

<< \relative { c'4 c c c } \\ { R1 } >>

<<
  \relative { c'4 c c c }
  \\
  \override MultiMeasureRest.staff-position = #-10
  { R1 }
>>

f'4-5
\once \override Fingering.extra-offset = #'(-0.3 . -1.8)
f'4-5

\relative { a'8 \( ( a'16 ) a \) }

\once \override PhrasingSlur.positions = #'(2.5 . 4.5)
a'8 \( ( a''16 ) a'' \)

{
  \time 4/2
  <<
    \relative { c'1~ 2. e8 f }
    \\
    \relative {
      e''8 e e e
      e e e e
      f2 g
    }
  >>
  <<
    \relative { c'1~ 2. e8 f }
    \\
    \relative {
      e''8 e e e
      e e e e
      f2 g
    }
  >>
}

{
  \time 4/2
  <<
    \relative { c'1~ 2. e8 f }
    \\
    \relative {
      \override Beam.positions = #'(-1 . -1)
      e''8 e e e
      e e e e
      f2 g
    }
  >>
  <<
    \relative { c'1~ 2. e8 f }
    \\
    \relative {
      e''8 e e e
      e e e e
      f2 g
      \revert Beam.positions
    }
  >>
}

\new Staff \relative {
  \key aes \major
  <<
    { c''2 aes4. bes8 }
    \\
    { <ees, c>2 des }
    \\
    \\
    { aes'2 f4 fes }
  >> |
  <c ees aes c>1 |
}

\new Staff \relative {
  \key aes \major
  <<
    { c''2 aes4. bes8 }
    \\
    { <ees, c>2 \once \override NoteColumn.force-hshift = 0.5 des }
    \\
    \\
    { \once \shiftOff aes'2 \once \shiftOff f4 fes }
  >> |
  <c ees aes c>1 |
}

rhMusic = \relative {
  \new Voice {
    r2 c''4. g8 |
    bes1~ |
    \time 6/4
    bes2. r8
    % 4 つのボイスの多声セクションの開始
    <<
      { c,8 d fis bes a }  % メイン ボイスの続き
      \new Voice {
        \voiceTwo
        c,8~ 2
      }
      \new Voice {
        \voiceThree
        s8 d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    g2.  % メイン ボイスの続き
  }
}

lhMusic = \relative {
  r2 <c' g ees>2 |
  <d g, d>1 |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

rhMusic = \relative {
  \new Voice {
    r2 c''4.\( g8 |
    bes1~ |
    \time 6/4
    bes2. r8
    % 4 つのボイスの多声セクションの開始
    <<
      { c,8 d fis bes a }  % メイン ボイスの続き
      \new Voice {
        \voiceTwo
        c,8~ 2
      }
      \new Voice {
        \voiceThree
        s8 d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    g2.\)  % メイン ボイスの続き
  }
}

lhMusic = \relative {
  r2 <c' g ees>2( |
  <d g, d>1) |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

rhMusic = \relative {
  \new Voice {
    r2 c''4.\( g8 |
    \once \override Tie.staff-position = #3.5
    bes1~ |
    \bar "||"
    \time 6/4
    bes2. r8
    % 4 つのボイスの多声セクションの開始
    <<
      { c,8 d fis bes a }  % メイン ボイスの続き
      \new Voice {
        \voiceTwo
        c,8~ 2
      }
      \new Voice {
        \voiceThree
        s8 d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    g2.\)  % メイン ボイスの続き
  }
}

lhMusic = \relative {
  r2 <c' g ees>2( |
  <d g, d>1)\arpeggio |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn

\mergeDifferentlyHeadedOff
\mergeDifferentlyDottedOff

rhMusic = \relative {
  \new Voice {
    r2 c''4.\( g8 |
    \once \override Tie.staff-position = #3.5
    bes1~ |
    \bar "||"
    \time 6/4
    bes2.\tempo "Moderato" r8
    \mergeDifferentlyHeadedOn
    \mergeDifferentlyDottedOn
    % 4 つのボイスの多声セクションの開始
    <<
      { c,8 d fis bes a }  % メイン ボイスの続き
      \new Voice {
        \voiceTwo
        % c2 をメインの音符列から外したため、
        % マージが機能します
        c,8~ \shiftOnn c2
      }
      \new Voice {
        \voiceThree
        % マージさせるために d2 の符幹を下向きにする必要があります
        s8 \stemDown d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    \mergeDifferentlyHeadedOff
    \mergeDifferentlyDottedOff
    g2.\)  % メイン ボイスの続き
  }
}

lhMusic = \relative {
  r2 <c' g ees>2( |
  <d g, d>1)\arpeggio |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

rhMusic = \relative {
  \new Voice {
    r2 c''4.\( g8 |
    \once \override Tie.staff-position = #3.5
    bes1~ |
    \bar "||"
    \time 6/4
    bes2.\tempo "Moderato" r8
    \mergeDifferentlyHeadedOn
    \mergeDifferentlyDottedOn
    % 4 つのボイスの多声セクションの開始
    <<
      { c,8 d fis bes a }  % メイン ボイスの続き
      \new Voice {
        \voiceTwo
        c,8~
        % マージされる音符の右にある c2 を再配置します
        \once \override NoteColumn.force-hshift = #1.0
        % c2 をメインの音符列から外したため、マージが機能します
        \shiftOnn
        c2
      }
      \new Voice {
        \voiceThree
        s8
        % マージさせるために d2 の符幹を下向きにする必要があります
        \stemDown
        % d2 の符幹を不可視にします
        \tweak Stem.transparent ##t
        d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    \mergeDifferentlyHeadedOff
    \mergeDifferentlyDottedOff
    g2.\)  % メイン ボイスの続き
  }
}

lhMusic = \relative {
  r2 <c' g ees>2( |
  <d g, d>1)\arpeggio |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

<<
  {
    \once \omit Stem
    \once \omit Flag
    b'8~ 8\noBeam
  }
\\
  { b'8[ g'] }
>>

\score {
  \relative {
    % Visible tempo marking
    \tempo 4=120
    a'4 a a
    \once \hide Score.MetronomeMark
    % Invisible tempo marking to lengthen fermata in MIDI
    \tempo 4=80
    a4\fermata |
    % New tempo for next section
    \tempo 4=100
    a4 a a a |
  }
  \layout { }
  \midi { }
}

\score {
  \relative {
    % Visible tempo marking
    \tempo 4=120
    a'4 a a
    \once \omit Score.MetronomeMark
    % Invisible tempo marking to lengthen fermata in MIDI
    \tempo 4=80
    a4\fermata |
    % New tempo for next section
    \tempo 4=100
    a4 a a a |
  }
  \layout { }
  \midi { }
}

\override Lyrics.LyricText.font-shape = #'italic
\override Lyrics.LyricText.font-series = #'bold

\revert Lyrics.LyricText.font-shape
\revert Lyrics.LyricText.font-series

emphasize = {
  \override Lyrics.LyricText.font-shape = #'italic
  \override Lyrics.LyricText.font-series = #'bold
}

normal = {
  \revert Lyrics.LyricText.font-shape
  \revert Lyrics.LyricText.font-series
}

global = { \key c \major \time 4/4 \partial 4 }

SopranoMusic = \relative { c'4 | e4. e8 g4 g    | a4   a   g  }
AltoMusic    = \relative { c'4 | c4. c8 e4 e    | f4   f   e  }
TenorMusic   = \relative  { e4 | g4. g8 c4.  b8 | a8 b c d e4 }
BassMusic    = \relative  { c4 | c4. c8 c4 c    | f8 g a b c4 }

VerseOne = \lyricmode {
  E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
}

VerseTwo = \lyricmode {
  O | \once \emphasize Christ, whose voice the | wa -- ters heard,
}

VerseThree = \lyricmode {
  O | \emphasize Ho -- ly Spi -- rit, | \normal who didst brood
}

VerseFour = \lyricmode {
  O | \emphasize Tri -- ni -- ty \normal of | love and pow'r
}

\score {
  \new ChoirStaff <<
    \new Staff <<
      \clef "treble"
      \new Voice = "Soprano"  { \voiceOne \global \SopranoMusic }
      \new Voice = "Alto" { \voiceTwo \AltoMusic }
      \new Lyrics \lyricsto "Soprano" { \VerseOne }
      \new Lyrics \lyricsto "Soprano" { \VerseTwo }
      \new Lyrics \lyricsto "Soprano" { \VerseThree }
      \new Lyrics \lyricsto "Soprano" { \VerseFour }
    >>
    \new Staff <<
      \clef "bass"
      \new Voice = "Tenor" { \voiceOne \TenorMusic }
      \new Voice = "Bass"  { \voiceTwo \BassMusic }
    >>
  >>
}

mpdolce =
  \tweak self-alignment-X #-0.6
  #(make-dynamic-script
    #{ \markup { \dynamic mp \normal-text \italic \bold dolce } #})

inst =
#(define-music-function
     (string)
     (string?)
   #{ <>^\markup \bold \box #string #})

\relative {
  \tempo 4=50
  a'4.\mpdolce d8 cis4--\glissando a |
  b4 bes a2 |
  \inst "Clarinet"
  cis4.\< d8 e4 fis |
  g8(\! fis)-. e( d)-. cis2 |
}

%%% これを "definitions.ily" というファイル名で保存してください
mpdolce =
  \tweak self-alignment-X #-0.6
  #(make-dynamic-script
    #{ \markup { \dynamic mp \normal-text \italic \bold dolce } #})

inst =
#(define-music-function
     (string)
     (string?)
   #{ <>^\markup \bold \box #string #})

.ily
"music.ly"
\include "definitions.ily"

\relative {
  \tempo 4=50
  a'4.\mpdolce d8 cis4--\glissando a |
  b4 bes a2 |
  \inst "Clarinet"
  cis4.\< d8 e4 fis |
  g8(\! fis)-. e( d)-. cis2 |
}

music.ly
definitions.ily
%%%  definitions.ily
mpdolce =
  \tweak self-alignment-X #-0.6
  #(make-dynamic-script
    #{ \markup { \dynamic mp \normal-text \italic \bold dolce } #})

inst =
#(define-music-function
     (string)
     (string?)
   #{ <>^\markup \bold \box #string #})

\layout{
  \context {
    \Score
    \override MetronomeMark.extra-offset = #'(-5 . 0)
    \override MetronomeMark.padding = #'3
  }
  \context {
    \Staff
    \override TimeSignature.style = #'numbered
  }
  \context {
    \Voice
    \override Glissando.thickness = #3
    \override Glissando.gap = #0.1
  }
}

%%%  web-publish.ily
mpdolce =
  \tweak self-alignment-X #-0.6
  #(make-dynamic-script
    #{ \markup { \dynamic mp \normal-text \italic \bold dolce } #})

inst =
#(define-music-function
     (string)
     (string?)
   #{ <>^\markup \bold \box #string #})

#(set-global-staff-size 23)

\layout{
  \context {
    \Score
    \override MetronomeMark.extra-offset = #'(-5 . 0)
    \override MetronomeMark.padding = #'3
  }
  \context {
    \Staff
  }
  \context {
    \Voice
    \override Glissando.thickness = #3
    \override Glissando.gap = #0.1
  }
}

definitions.ily
web-publish.ily
university.ily
music.ly
\include "definitions.ily"

%%%  以下の 2 行のどちらか片方のコメントを外してください！
\include "web-publish.ily"
%\include "university.ily"

gloval.ily
%%%   global.ily
\version "2.23.3"

#(ly:set-option 'point-and-click #f)

\include "../init/init-defs.ly"
\include "../init/init-layout.ly"
\include "../init/init-headers.ly"
\include "../init/init-paper.ly"

‘INSTALLDIR/lilypond/usr/share/lilypond/current/’

‘INSTALLDIR/LilyPond.app/Contents/Resources/share/lilypond/current/’

‘INSTALLDIR/LilyPond/usr/share/lilypond/current/’

PREFIX/share/lilypond/X.Y.Z/
ly/
scm/
ly/
ly/property-init.ly
tieDotted = {
  \override Tie.dash-period = #0.75
  \override Tie.dash-fraction = #0.1
}

ly/
ly/engraver-init.ly
ly/paper-defaults-init.ly
ly/performer-init.ly
ly/property-init.ly
ly/spanner-init.ly
scm/auto-beam.scm
scm/define-grobs.scm
scm/define-markup-commands.scm
scm/midi.scm
scm/output-lib.scm
scm/parser-clef.scm
scm/script.scm
#(define (color-notehead grob)
   "Color the notehead according to its position on the staff."
   (let ((mod-position (modulo (ly:grob-property grob 'staff-position)
                               7)))
     (case mod-position
       ;;   Return rainbow colors
       ((1) (x11-color 'red    ))  ; for C
       ((2) (x11-color 'orange ))  ; for D
       ((3) (x11-color 'yellow ))  ; for E
       ((4) (x11-color 'green  ))  ; for F
       ((5) (x11-color 'blue   ))  ; for G
       ((6) (x11-color 'purple ))  ; for A
       ((0) (x11-color 'violet ))  ; for B
       )))

\relative {
  % Arrange to obtain color from color-notehead procedure
  \override NoteHead.color = #color-notehead
  a2 b | c2 d | e2 f | g2 a |
}

  SopranoMusic = \relative { a'4\f a8 a a4 a }
  SopranoLyrics = \lyricmode { Sop -- ra -- no ly -- rics }
  AltoMusic = \relative { d'4\f d d d }
  AltoLyrics = \lyricmode { Al -- to ly -- rics }
  TenorMusic = \relative { a4\p a a a }
  TenorLyrics = \lyricmode { Te -- nor ly -- rics }
  BassMusic = \relative { c2\p c4 c }
  BassLyrics = \lyricmode { Bass ly -- rics }
  PianoRHMusic = \relative { c' e g c }
  PianoDynamics = { s2\mp s4 s4 }
  PianoLHMusic = \relative { c e g c }
  \include "satb.ly"

  SopranoMusic = \relative { a'4\f a8 a a4 a }
  SopranoLyrics = \lyricmode { Sop -- ra -- no ly -- rics }
  AltoMusic = \relative { d'4\f d d d }
  AltoLyrics = \lyricmode { Al -- to ly -- rics }
  TenorMusic = \relative { a4\p a a a }
  TenorLyrics = \lyricmode { Te -- nor ly -- rics }
  BassMusic = \relative { c2\p c4 c }
  BassLyrics = \lyricmode { Bass ly -- rics }
  PianoRHMusic = \relative { c' e g c }
  PianoDynamics = { s2\mp s4 s4 }
  PianoLHMusic = \relative { c e g c }
  TwoVoicesPerStaff = ##t
  \include "satb.ly"

  SopranoMusic = \relative { c'' c c c }
  SopranoLyrics = \lyricmode { High voice ly -- rics }
  BassMusic = \relative { a a a a }
  BassLyrics = \lyricmode { Low voice ly -- rics }
  \include "satb.ly"

  SopranoMusic = \relative { a'4 a a a }
  SopranoLyricsOne = \lyricmode {
    \set stanza = "1."
    Words to verse one
  }
  SopranoLyricsTwo = \lyricmode {
    \set stanza = "2."
    Words to verse two
  }
  \include "satb.ly"

  SopranoMusic = \relative { a' a a a }
  AltoMusic = \relative { f' f f f }
  VerseOne = \lyricmode {
    \set stanza = "1."
    Words to verse one
  }
  VerseTwo = \lyricmode {
    \set stanza = "2."
    Words to verse two
  }
  VerseThree = \lyricmode {
    \set stanza = "3."
    Words to verse three
  }
  TenorMusic = \relative { a a a a }
  BassMusic = \relative { f f f f }
  TwoVoicesPerStaff = ##t
  \include "satb.ly"

  Key = \key a \major
  Time = {
    \time 5/4
    \tempo "Allegro" 4 = 144
  }
  SopranoMusic = \relative { gis' gis gis gis gis }
  AltoMusic = \relative { cis' cis cis cis cis }
  VerseOne = \lyricmode { Words to this du -- et }
  TwoVoicesPerStaff = ##t
  \include "satb.ly"

  SopranoMusic = \relative { c'' c c c }
  SopranoLyrics = \lyricmode { High voice ly -- rics }
  SopranoInstrumentName = "Soprano 1"
  SopranoShortInstrumentName = "S1"
  AltoMusic = \relative { a' a a a }
  AltoLyrics = \lyricmode { Low voice ly -- rics }
  AltoInstrumentName = "Soprano 2"
  AltoShortInstrumentName = "S2"
  \include "satb.ly"

Layout = \layout { ... }

ly/satb.ly
Time = { s1 \break s1 \break }
WomenMusic = \relative { a'4 a a a }
WomenLyrics = \lyricmode { Wo -- men ly -- rics }
SopranoMusic = \relative { s1 | c''4 c c c8 c }
SopranoLyrics = \lyricmode{ So -- pra -- no ly -- rics }
AltoMusic = \relative { s1 | g'4 g g g }
AltoLyrics = \lyricmode { Al -- to ly -- rics }
SopranoOneMusic = \relative { s1 | s1 |e''4 e e e }
SopranoOneLyrics = \lyricmode { Sop One ly -- rics }
SopranoTwoMusic = \relative { s1 | s1 | c''4 c c c }
SopranoTwoLyrics = \lyricmode { Sop Two ly -- rics }
AltoOneMusic = \relative { s1 | s1 | g'4 g g g8 g }
AltoOneLyrics = \lyricmode { Al -- to One ly -- rics }
AltoTwoMusic = \relative { s1 | s1 | e'4 e e e8 e }
AltoTwoLyrics = \lyricmode { Al -- to Two ly -- rics }
\layout { ragged-right = ##t }
\include "ssaattbb.ly"

SopranoTwoVoicesPerStaff = ##t
Time = { s1 \break s1 \break }
WomenMusic = \relative { a'4 a a a }
WomenLyrics = \lyricmode { Wo -- men ly -- rics }
SopranoMusic = \relative { s1 | c''4 c c c8 c }
SopranoLyrics = \lyricmode{ So -- pra -- no ly -- rics }
AltoMusic = \relative { s1 | g'4 g g g }
AltoLyrics = \lyricmode { Al -- to ly -- rics }
SopranoOneMusic = \relative { s1 | s1 |e''4 e e e }
SopranoOneLyrics = \lyricmode { Sop One ly -- rics }
SopranoTwoMusic = \relative { s1 | s1 | c''4 c c c }
SopranoTwoLyrics = \lyricmode { Sop Two ly -- rics }
AltoOneMusic = \relative { s1 | s1 | g'4 g g g8 g }
AltoOneLyrics = \lyricmode { Al -- to One ly -- rics }
AltoTwoMusic = \relative { s1 | s1 | e'4 e e e8 e }
AltoTwoLyrics = \lyricmode { Al -- to Two ly -- rics }
\layout { ragged-right = ##t }
\include "ssaattbb.ly"

TwoVoicesPerStaff = ##t
Time = { s1 \break s1 \break }
WomenMusic = \relative { a'4 a a a }
WomenLyrics = \lyricmode { Wo -- men ly -- rics }
SopranoMusic = \relative { s1 | c''4 c c c8 c }
SopranoLyrics = \lyricmode{ So -- pra -- no ly -- rics }
AltoMusic = \relative { s1 | g'4 g g g }
AltoLyrics = \lyricmode { Al -- to ly -- rics }
SopranoOneMusic = \relative { s1 | s1 |e''4 e e e }
SopranoOneLyrics = \lyricmode { Sop One ly -- rics }
SopranoTwoMusic = \relative { s1 | s1 | c''4 c c c }
SopranoTwoLyrics = \lyricmode { Sop Two ly -- rics }
AltoOneMusic = \relative { s1 | s1 | g'4 g g g8 g }
AltoOneLyrics = \lyricmode { Al -- to One ly -- rics }
AltoTwoMusic = \relative { s1 | s1 | e'4 e e e8 e }
AltoTwoLyrics = \lyricmode { Al -- to Two ly -- rics }
\layout { ragged-right = ##t }
\include "ssaattbb.ly"

ly/ssaattbb.ly
melody = \relative c' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

\score {
  \new Staff \melody
  \layout { }
  \midi { }
}

melody = \relative c' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

text = \lyricmode {
  Aaa Bee Cee Dee
}

\score{
  <<
    \new Voice = "one" {
      \autoBeamOff
      \melody
    }
    \new Lyrics \lyricsto "one" \text
  >>
  \layout { }
  \midi { }
}

melody = \relative c' {
  \clef treble
  \key c \major
  \time 4/4

  f4 e8[ c] d4 g
  a2 ~ a
}

harmonies = \chordmode {
  c4:m f:min7 g:maj c:aug
  d2:dim b4:5 e:sus
}

\score {
  <<
    \new ChordNames {
      \set chordChanges = ##t
      \harmonies
    }
    \new Staff \melody
  >>
  \layout{ }
  \midi { }
}

melody = \relative c' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

text = \lyricmode {
  Aaa Bee Cee Dee
}

harmonies = \chordmode {
  a2 c
}

\score {
  <<
    \new ChordNames {
      \set chordChanges = ##t
      \harmonies
    }
    \new Voice = "one" { \autoBeamOff \melody }
    \new Lyrics \lyricsto "one" \text
  >>
  \layout { }
  \midi { }
}

upper = \relative c'' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

lower = \relative c {
  \clef bass
  \key c \major
  \time 4/4

  a2 c
}

\score {
  \new PianoStaff \with { instrumentName = "Piano" }
  <<
    \new Staff = "upper" \upper
    \new Staff = "lower" \lower
  >>
  \layout { }
  \midi { }
}

melody = \relative c'' {
  \clef treble
  \key c \major
  \time 4/4

  a b c d
}

text = \lyricmode {
  Aaa Bee Cee Dee
}

upper = \relative c'' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

lower = \relative c {
  \clef bass
  \key c \major
  \time 4/4

  a2 c
}

\score {
  <<
    \new Voice = "mel" { \autoBeamOff \melody }
    \new Lyrics \lyricsto mel \text
    \new PianoStaff <<
      \new Staff = "upper" \upper
      \new Staff = "lower" \lower
    >>
  >>
  \layout {
    \context { \Staff \RemoveEmptyStaves }
  }
  \midi { }
}

upper = \relative c'' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

lower = \relative c {
  \clef bass
  \key c \major
  \time 4/4

  a2 c
}

text = \lyricmode {
  Aaa Bee Cee Dee
}

\score {
  \new PianoStaff <<
    \new Staff = upper { \new Voice = "singer" \upper }
    \new Lyrics \lyricsto "singer" \text
    \new Staff = lower { \lower }
  >>
  \layout { }
  \midi { }
}

global= {
  \time 4/4
  \key c \major
}

violinOne = \new Voice \relative c'' {
  c2 d
  e1
  \bar "|."
}

violinTwo = \new Voice \relative c'' {
  g2 f
  e1
  \bar "|."
}

viola = \new Voice \relative c' {
  \clef alto
  e2 d
  c1
  \bar "|."
}

cello = \new Voice \relative c' {
  \clef bass
  c2 b
  a1
  \bar "|."
}

\score {
  \new StaffGroup <<
    \new Staff \with { instrumentName = "Violin 1" }
    << \global \violinOne >>
    \new Staff \with { instrumentName = "Violin 2" }
    << \global \violinTwo >>
    \new Staff \with { instrumentName = "Viola" }
    << \global \viola >>
    \new Staff \with { instrumentName = "Cello" }
    << \global \cello >>
  >>
  \layout { }
  \midi { }
}

%%%%% piece.ly
%%%%% (This is the global definitions file)

global= {
  \time 4/4
  \key c \major
}

Violinone = \new Voice {
  \relative c'' {
    c2 d e1
    \bar "|."
  }
}

Violintwo = \new Voice {
  \relative c'' {
    g2 f e1
    \bar "|."
  }
}

Viola = \new Voice {
  \relative c' {
    \clef alto
    e2 d c1
    \bar "|."
  }
}

Cello = \new Voice {
  \relative c' {
    \clef bass
    c2 b a1
    \bar "|."
  }
}

music = {
  <<
    \tag #'score \tag #'vn1
    \new Staff \with { instrumentName = "Violin 1" }
    << \global \Violinone >>

    \tag #'score \tag #'vn2
    \new Staff \with { instrumentName = "Violin 2" }
    << \global \Violintwo>>

    \tag #'score \tag #'vla
    \new Staff \with { instrumentName = "Viola" }
    << \global \Viola>>

    \tag #'score \tag #'vlc
    \new Staff \with { instrumentName = "Cello" }
    << \global \Cello >>
  >>
}

% These are the other files you need to save on your computer

% score.ly
% (This is the main file)

% uncomment the line below when using a separate file
%\include "piece.ly"

#(set-global-staff-size 14)

\score {
  \new StaffGroup \keepWithTag #'score \music
  \layout { }
  \midi { }
}

%{ Uncomment this block when using separate files

% vn1.ly
% (This is the Violin 1 part file)

\include "piece.ly"
\score {
  \keepWithTag #'vn1 \music
  \layout { }
}

% vn2.ly
% (This is the Violin 2 part file)

\include "piece.ly"
\score {
  \keepWithTag #'vn2 \music
  \layout { }
}

% vla.ly
% (This is the Viola part file)

\include "piece.ly"
\score {
  \keepWithTag #'vla \music
  \layout { }
}

% vlc.ly
% (This is the Cello part file)

\include "piece.ly"
\score {
  \keepWithTag #'vlc \music
  \layout { }
}

%}

\paper {
  top-system-spacing.basic-distance = #10
  score-system-spacing.basic-distance = #20
  system-system-spacing.basic-distance = #20
  last-bottom-spacing.basic-distance = #10
}

global = {
  \key c \major
  \time 4/4
}

sopMusic = \relative {
  c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
  hi hi hi hi
}

altoMusic = \relative {
  e'4 f d e
}
altoWords = \lyricmode {
  ha ha ha ha
}

tenorMusic = \relative {
  g4 a f g
}
tenorWords = \lyricmode {
  hu hu hu hu
}

bassMusic = \relative {
  c4 c g c
}
bassWords = \lyricmode {
  ho ho ho ho
}

\score {
  \new ChoirStaff <<
    \new Lyrics = "sopranos" \with {
      % this is needed for lyrics above a staff
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff = "women" <<
      \new Voice = "sopranos" {
        \voiceOne
        << \global \sopMusic >>
      }
      \new Voice = "altos" {
        \voiceTwo
        << \global \altoMusic >>
      }
    >>
    \new Lyrics = "altos"
    \new Lyrics = "tenors" \with {
      % this is needed for lyrics above a staff
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff = "men" <<
      \clef bass
      \new Voice = "tenors" {
        \voiceOne
        << \global \tenorMusic >>
      }
      \new Voice = "basses" {
        \voiceTwo << \global \bassMusic >>
      }
    >>
    \new Lyrics = "basses"
    \context Lyrics = "sopranos" \lyricsto "sopranos" \sopWords
    \context Lyrics = "altos" \lyricsto "altos" \altoWords
    \context Lyrics = "tenors" \lyricsto "tenors" \tenorWords
    \context Lyrics = "basses" \lyricsto "basses" \bassWords
  >>
}

\paper {
  top-system-spacing.basic-distance = #10
  score-system-spacing.basic-distance = #20
  system-system-spacing.basic-distance = #20
  last-bottom-spacing.basic-distance = #10
}

global = {
  \key c \major
  \time 4/4
}

sopMusic = \relative {
  c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
  hi hi hi hi
}

altoMusic = \relative {
  e'4 f d e
}
altoWords =\lyricmode {
  ha ha ha ha
}

tenorMusic = \relative {
  g4 a f g
}
tenorWords = \lyricmode {
  hu hu hu hu
}

bassMusic = \relative {
  c4 c g c
}
bassWords = \lyricmode {
  ho ho ho ho
}

\score {
  <<
    \new ChoirStaff <<
      \new Lyrics = "sopranos" \with {
        % This is needed for lyrics above a staff
        \override VerticalAxisGroup.staff-affinity = #DOWN
      }
      \new Staff = "women" <<
        \new Voice = "sopranos" { \voiceOne << \global \sopMusic >> }
        \new Voice = "altos" { \voiceTwo << \global \altoMusic >> }
      >>
      \new Lyrics = "altos"
      \new Lyrics = "tenors" \with {
        % This is needed for lyrics above a staff
        \override VerticalAxisGroup.staff-affinity = #DOWN
      }

      \new Staff = "men" <<
        \clef bass
        \new Voice = "tenors" { \voiceOne << \global \tenorMusic >> }
        \new Voice = "basses" { \voiceTwo << \global \bassMusic >> }
      >>
      \new Lyrics = "basses"
      \context Lyrics = "sopranos" \lyricsto "sopranos" \sopWords
      \context Lyrics = "altos" \lyricsto "altos" \altoWords
      \context Lyrics = "tenors" \lyricsto "tenors" \tenorWords
      \context Lyrics = "basses" \lyricsto "basses" \bassWords
    >>
    \new PianoStaff <<
      \new Staff <<
        \set Staff.printPartCombineTexts = ##f
        \partCombine
        << \global \sopMusic >>
        << \global \altoMusic >>
      >>
      \new Staff <<
        \clef bass
        \set Staff.printPartCombineTexts = ##f
        \partCombine
        << \global \tenorMusic >>
        << \global \bassMusic >>
      >>
    >>
  >>
}

global = {
  \key c \major
  \time 4/4
}

sopMusic = \relative c'' {
  c4 c c8[( b)] c4
}
sopWords = \lyricmode {
  hi hi hi hi
}

altoMusic = \relative c' {
  e4 f d e
}
altoWords = \lyricmode {
  ha ha ha ha
}

tenorMusic = \relative c' {
  g4 a f g
}
tenorWords = \lyricmode {
  hu hu hu hu
}

bassMusic = \relative c {
  c4 c g c
}
bassWords = \lyricmode {
  ho ho ho ho
}

\score {
  \new ChoirStaff <<
    \new Staff = "women" <<
      \new Voice = "sopranos" { \voiceOne << \global \sopMusic >> }
      \new Voice = "altos" { \voiceTwo << \global \altoMusic >> }
    >>
    \new Lyrics \with { alignAboveContext = #"women" }
      \lyricsto "sopranos" \sopWords
    \new Lyrics \with { alignBelowContext = #"women" }
      \lyricsto "altos" \altoWords
    % we could remove the line about this with the line below, since
    % we want the alto lyrics to be below the alto Voice anyway.
    % \new Lyrics \lyricsto "altos" \altoWords

    \new Staff = "men" <<
      \clef bass
      \new Voice = "tenors" { \voiceOne << \global \tenorMusic >> }
      \new Voice = "basses" { \voiceTwo << \global \bassMusic >> }
    >>
    \new Lyrics \with { alignAboveContext = #"men" }
      \lyricsto "tenors" \tenorWords
    \new Lyrics \with { alignBelowContext = #"men" }
      \lyricsto "basses" \bassWords
    % again, we could replace the line above this with the line below.
    % \new Lyrics \lyricsto "basses" \bassWords
  >>
}

global = {
  \key c \major
  \time 4/4
  \dynamicUp
}
sopranonotes = \relative c'' {
  c2 \p \< d c d \f
}
sopranowords = \lyricmode { do do do do }
altonotes = \relative c'' {
  c2\p d c d
}
altowords = \lyricmode { re re re re }
tenornotes = {
  \clef "G_8"
  c2\mp d c d
}
tenorwords = \lyricmode { mi mi mi mi }
bassnotes = {
  \clef bass
  c2\mf d c d
}
basswords = \lyricmode { mi mi mi mi }

\score {
  \new ChoirStaff <<
    \new Staff <<
      \new Voice = "soprano" <<
        \global
        \sopranonotes
      >>
      \new Lyrics \lyricsto "soprano" \sopranowords
    >>
    \new Staff <<
      \new Voice = "alto" <<
        \global
        \altonotes
      >>
      \new Lyrics \lyricsto "alto" \altowords
    >>
    \new Staff <<
      \new Voice = "tenor" <<
        \global
        \tenornotes
      >>
      \new Lyrics \lyricsto "tenor" \tenorwords
    >>
    \new Staff <<
      \new Voice = "bass" <<
        \global
        \bassnotes
      >>
      \new Lyrics \lyricsto "bass" \basswords
    >>
  >>
}

global = {
  \key g \major

  % verse
  \time 3/4
  s2.*2
  \break

  % refrain
  \time 2/4
  s2*2
  \bar "|."
}

SoloNotes = \relative g' {
  \clef "treble"

  % verse
  g4 g g |
  b4 b b |

  % refrain
  R2*2 |
}

SoloLyrics = \lyricmode {
  One two three |
  four five six |
}

SopranoNotes = \relative c'' {
  \clef "treble"

  % verse
  R2.*2 |

  % refrain
  c4 c |
  g4 g |
}

SopranoLyrics = \lyricmode {
  la la |
  la la |
}

BassNotes = \relative c {
  \clef "bass"

  % verse
  R2.*2 |

  % refrain
  c4 e |
  d4 d |
}

BassLyrics = \lyricmode {
  dum dum |
  dum dum |
}

\score {
  <<
    \new Voice = "SoloVoice" << \global \SoloNotes >>
    \new Lyrics \lyricsto "SoloVoice" \SoloLyrics

    \new ChoirStaff <<
      \new Voice = "SopranoVoice" << \global \SopranoNotes >>
      \new Lyrics \lyricsto "SopranoVoice" \SopranoLyrics

      \new Voice = "BassVoice" << \global \BassNotes >>
      \new Lyrics \lyricsto "BassVoice" \BassLyrics
    >>
  >>
  \layout {
    ragged-right = ##t
    \context { \Staff
      % these lines prevent empty staves from being printed
      \RemoveEmptyStaves
      \override VerticalAxisGroup.remove-first = ##t
    }
  }
}

Timeline = {
  \time 4/4
  \tempo 4=96
  \partial 2
  s2 | s1 | s2 \breathe s2 | s1 | s2 \bar "||" \break
  s2 | s1 | s2 \breathe s2 | s1 | s2 \bar "||"
}

SopranoMusic = \relative g' {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

AltoMusic = \relative c' {
  d4 d | d d d d | d d d d | d d d d | d2
  d4 d | d d d d | d d d d | d d d d | d2
}

TenorMusic = \relative a {
  b4 b | b b b b | b b b b | b b b b | b2
  b4 b | b b b b | b b b b | b b b b | b2
}

BassMusic =  \relative g {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

global = {
 \key g \major
}

\score {  % Start score
  <<
    \new PianoStaff <<  % Start pianostaff
      \new Staff <<  % Start Staff = RH
        \global
        \clef "treble"
        \new Voice = "Soprano" <<  % Start Voice = "Soprano"
          \Timeline
          \voiceOne
          \SopranoMusic
        >>  % End Voice = "Soprano"
        \new Voice = "Alto" <<  % Start Voice = "Alto"
          \Timeline
          \voiceTwo
          \AltoMusic
        >>  % End Voice = "Alto"
      >>  % End Staff = RH
      \new Staff <<  % Start Staff = LH
        \global
        \clef "bass"
        \new Voice = "Tenor" <<  % Start Voice = "Tenor"
          \Timeline
          \voiceOne
          \TenorMusic
        >>  % End Voice = "Tenor"
        \new Voice = "Bass" <<  % Start Voice = "Bass"
          \Timeline
          \voiceTwo
          \BassMusic
        >>  % End Voice = "Bass"
      >>  % End Staff = LH
    >>  % End pianostaff
  >>
}  % End score

\markup {
  \fill-line {
    ""
    {
      \column {
        \left-align {
          "This is line one of the first verse"
          "This is line two of the same"
          "And here's line three of the first verse"
          "And the last line of the same"
        }
      }
    }
    ""
  }
}

\paper {  % Start paper block
  indent = 0     % don't indent first system
  line-width = 130   % shorten line length to suit music
}  % End paper block

SopranoMusic = \relative g' {
  g1 | c2 b | a1 | \bar "||"
  a1 | d2 c | c b | c1 | \bar "||"
}

AltoMusic = \relative c' {
  e1 | g2 g | f1 |
  f1 | f2 e | d d | e1 |
}

TenorMusic = \relative a {
  c1 | c2 c | c1 |
  d1 | g,2 g | g g | g1 |
}

BassMusic =  \relative c {
  c1 | e2 e | f1 |
  d1 | b2 c | g' g | c,1 |
}

global = {
  \time 2/2
}

dot = \markup {
  \raise #0.7 \musicglyph "dots.dot"
}

tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}

% Use markup to center the chant on the page
\markup {
  \fill-line {
    \score {  % centered
      <<
        \new ChoirStaff <<
          \new Staff <<
            \global
            \clef "treble"
            \new Voice = "Soprano" <<
              \voiceOne
              \SopranoMusic
            >>
            \new Voice = "Alto" <<
              \voiceTwo
              \AltoMusic
            >>
          >>
          \new Staff <<
            \clef "bass"
            \global
            \new Voice = "Tenor" <<
              \voiceOne
              \TenorMusic
            >>
            \new Voice = "Bass" <<
              \voiceTwo
              \BassMusic
            >>
          >>
        >>
      >>
      \layout {
        \context {
          \Score
          \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/2)
        }
        \context {
          \Staff
          \remove "Time_signature_engraver"
        }
      }
    }  % End score
  }
}  % End markup

\markup {
  \fill-line {
    \column {
      \left-align {
        \null \null \null
        \line {
          \fontsize #5 O
          \fontsize #3 come
          let us \bold sing | unto \dot the | Lord : let
        }
        \line {
          us heartily
          \concat { re \bold joice }
          in the | strength of | our
        }
        \line {
          sal | vation.
        }
        \null
        \line {
          \hspace #2.5 8. Today if ye will hear his voice *
        }
        \line {
          \concat { \bold hard en }
          \tick not your \tick hearts : as in the pro-
        }
        \line {
          vocation * and as in the \bold day of tempt- \tick
        }
        \line {
          -ation \tick in the \tick wilderness.
        }
      }
    }
  }
}

#(set-global-staff-size 17)
\paper {
  indent = 3.0\cm  % add space for instrumentName
  short-indent = 1.5\cm  % add less space for shortInstrumentName
}

fluteMusic = \relative c' { \key g \major g'1 b }

% Pitches as written on a manuscript for Clarinet in A
% are transposed to concert pitch.

clarinetMusic = \transpose c' a
  \relative c'' { \key bes \major bes1 d }

trumpetMusic = \relative c { \key g \major g''1 b }

% Key signature is often omitted for horns

hornMusic = \transpose c' f
  \relative c { d'1 fis }

percussionMusic = \relative c { \key g \major g1 b }

sopranoMusic = \relative c'' { \key g \major g'1 b }

sopranoLyrics = \lyricmode { Lyr -- ics }

altoIMusic = \relative c' { \key g \major g'1 b }

altoIIMusic = \relative c' { \key g \major g'1 b }

altoILyrics =  \sopranoLyrics

altoIILyrics = \lyricmode { Ah -- ah }

tenorMusic = \relative c' { \clef "treble_8" \key g \major g1 b }

tenorLyrics = \sopranoLyrics

pianoRHMusic = \relative c { \key g \major g''1 b }

pianoLHMusic = \relative c { \clef bass \key g \major g1 b }

violinIMusic = \relative c' { \key g \major g'1 b }

violinIIMusic = \relative c' { \key g \major g'1 b }

violaMusic = \relative c { \clef alto \key g \major g'1 b }

celloMusic = \relative c { \clef bass \key g \major g1 b }

bassMusic = \relative c { \clef "bass_8" \key g \major g,1 b }

\score {
  <<
    \new StaffGroup = "StaffGroup_woodwinds" <<
      \new Staff = "Staff_flute" \with { instrumentName = "Flute" }
      \fluteMusic

      \new Staff = "Staff_clarinet" \with {
        instrumentName = \markup { \concat { "Clarinet in B" \flat } }
      }

      % Declare that written Middle C in the music
      % to follow sounds a concert B flat, for
      % output using sounded pitches such as MIDI.
      %\transposition bes

      % Print music for a B-flat clarinet
      \transpose bes c' \clarinetMusic
    >>

    \new StaffGroup = "StaffGroup_brass" <<
      \new Staff = "Staff_hornI" \with { instrumentName = "Horn in F" }
       % \transposition f
        \transpose f c' \hornMusic

      \new Staff = "Staff_trumpet" \with { instrumentName = "Trumpet in  C" }
      \trumpetMusic

    >>
    \new RhythmicStaff = "RhythmicStaff_percussion"
    \with { instrumentName = "Percussion" }
    <<
      \percussionMusic
    >>
    \new PianoStaff \with { instrumentName = "Piano" }
    <<
      \new Staff { \pianoRHMusic }
      \new Staff { \pianoLHMusic }
    >>
    \new ChoirStaff = "ChoirStaff_choir" <<
      \new Staff = "Staff_soprano" \with { instrumentName = "Soprano" }
      \new Voice = "soprano"
      \sopranoMusic

      \new Lyrics \lyricsto "soprano" { \sopranoLyrics }
      \new GrandStaff = "GrandStaff_altos"
      \with { \accepts Lyrics } <<
        \new Staff = "Staff_altoI"  \with { instrumentName = "Alto I" }
        \new Voice = "altoI"
        \altoIMusic

        \new Lyrics \lyricsto "altoI" { \altoILyrics }
        \new Staff = "Staff_altoII" \with { instrumentName = "Alto II" }
        \new Voice = "altoII"
        \altoIIMusic

        \new Lyrics \lyricsto "altoII" { \altoIILyrics }
      >>

      \new Staff = "Staff_tenor" \with { instrumentName = "Tenor" }
        \new Voice = "tenor"
        \tenorMusic

      \new Lyrics \lyricsto "tenor" { \tenorLyrics }
    >>
    \new StaffGroup = "StaffGroup_strings" <<
      \new GrandStaff = "GrandStaff_violins" <<
        \new Staff = "Staff_violinI" \with { instrumentName = "Violin I" }
        \violinIMusic

        \new Staff = "Staff_violinII" \with { instrumentName = "Violin II" }
        \violinIIMusic
      >>

      \new Staff = "Staff_viola" \with { instrumentName = "Viola" }
      \violaMusic

      \new Staff = "Staff_cello" \with { instrumentName = "Cello" }
      \celloMusic

      \new Staff = "Staff_bass" \with { instrumentName = "Double Bass" }
      \bassMusic
    >>
  >>
  \layout { }
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% A short excerpt from the Jubilate Deo by Orlande de Lassus
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

global = {
  \set Score.skipBars = ##t
  \key g \major
  \time 4/4

  % the actual music
  \skip 1*8

  % let finis bar go through all staves
  \override Staff.BarLine.transparent = ##f

  % finis bar
  \bar "|."
}

discantusIncipit = {
  \clef "neomensural-c1"
  \key f \major
  \time 2/2
  c''1.
}

discantusNotes = {
  \transpose c' c'' {
    \clef "treble"
    d'2. d'4 |
    b e' d'2 |
    c'4 e'4.( d'8 c' b |
    a4) b a2 |
    b4.( c'8 d'4) c'4 |
    \once \hide NoteHead
    c'1 |
    b\breve |
  }
}

discantusLyrics = \lyricmode {
  Ju -- bi -- la -- te De -- o,
  om -- nis ter -- ra, __ om-
  "..."
  -us.
}

altusIncipit = {
  \clef "neomensural-c3"
  \key f \major
  \time 2/2
  r1 f'1.
}

altusNotes = {
  \transpose c' c'' {
    \clef "treble"
    r2 g2. e4 fis g |
    a2 g4 e |
    fis g4.( fis16 e fis4) |
    g1 |
    \once \hide NoteHead
    g1 |
    g\breve |
  }
}

altusLyrics = \lyricmode {
  Ju -- bi -- la -- te
  De -- o, om -- nis ter -- ra,
  "..."
  -us.
}

tenorIncipit = {
  \clef "neomensural-c4"
  \key f \major
  \time 2/2
  r\longa
  r\breve
  r1 c'1.
}

tenorNotes = {
  \transpose c' c' {
    \clef "treble_8"
    R1 |
    R1 |
    R1 |
    % two measures
    r2 d'2. d'4 b e' |
    \once \hide NoteHead
    e'1 |
    d'\breve |
  }
}

tenorLyrics = \lyricmode {
  Ju -- bi -- la -- te
  "..."
  -us.
}

bassusIncipit = {
  \clef "mensural-f"
  \key f \major
  \time 2/2
  r\maxima
  f1.
}

bassusNotes = {
  \transpose c' c' {
    \clef "bass"
    R1 |
    R1 |
    R1 |
    R1 |
    g2. e4 |
    \once \hide NoteHead
    e1 |
    g\breve |
  }
}

bassusLyrics = \lyricmode {
  Ju -- bi-
  "..."
  -us.
}

\score {
  <<
    \new StaffGroup = choirStaff <<
      \new Voice = "discantusNotes" <<
        \set Staff.instrumentName = "Discantus"
        \incipit \discantusIncipit
        \global
        \discantusNotes
      >>
      \new Lyrics \lyricsto discantusNotes { \discantusLyrics }
      \new Voice = "altusNotes" <<
        \set Staff.instrumentName = "Altus"
        \global
        \incipit \altusIncipit
        \altusNotes
      >>
      \new Lyrics \lyricsto altusNotes { \altusLyrics }
      \new Voice = "tenorNotes" <<
        \set Staff.instrumentName = "Tenor"
        \global
        \incipit \tenorIncipit
        \tenorNotes
      >>
      \new Lyrics \lyricsto tenorNotes { \tenorLyrics }
      \new Voice = "bassusNotes" <<
        \set Staff.instrumentName = "Bassus"
        \global
        \incipit \bassusIncipit
        \bassusNotes
      >>
      \new Lyrics \lyricsto bassusNotes { \bassusLyrics }
    >>
  >>
  \layout {
    \context {
      \Score
      %% no bar lines in staves or lyrics
      \hide BarLine
    }
    %% the next two instructions keep the lyrics between the bar lines
    \context {
      \Lyrics
      \consists "Bar_engraver"
      \consists "Separating_line_group_engraver"
    }
    \context {
      \Voice
      %% no slurs
      \hide Slur
      %% Comment in the below "\remove" command to allow line
      %% breaking also at those bar lines where a note overlaps
      %% into the next measure.  The command is commented out in this
      %% short example score, but especially for large scores, you
      %% will typically yield better line breaking and thus improve
      %% overall spacing if you comment in the following command.
      %%\remove "Forbid_line_break_engraver"
    }
    indent = 6\cm
    incipit-width = 4\cm
  }
}

\include "gregorian.ly"

chant = \relative c' {
  \set Score.timing = ##f
  f4 a2 \divisioMinima
  g4 b a2 f2 \divisioMaior
  g4( f) f( g) a2 \finalis
}

verba = \lyricmode {
  Lo -- rem ip -- sum do -- lor sit a -- met
}

\score {
  \new Staff <<
    \new Voice = "melody" \chant
    \new Lyrics = "one" \lyricsto melody \verba
  >>
  \layout {
    \context {
      \Staff
      \remove "Time_signature_engraver"
      \remove "Bar_engraver"
      \hide Stem
    }
    \context {
      \Voice
      \override Stem.length = #0
    }
    \context {
      \Score
      barAlways = ##t
    }
  }
}

\header {
  title = "Song"
  subtitle = "(tune)"
  composer = "Me"
  meter = "moderato"
  piece = "Swing"
  tagline = \markup {
    \column {
      "LilyPond example file by Amelie Zapf,"
      "Berlin 07/07/2003"
    }
  }
}
% To make the example display in the documentation
\paper {
  paper-width = 130
}
%#(set-global-staff-size 16)
\include "english.ly"

%%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%%

sl = {
  \override NoteHead.style = #'slash
  \hide Stem
}
nsl = {
  \revert NoteHead.style
  \undo \hide Stem
}
crOn = \override NoteHead.style = #'cross
crOff = \revert NoteHead.style

%% insert chord name style stuff here.

jazzChords = { }

%%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%%

global = { \time 4/4 }

Key = { \key c \major }

% ############ Horns ############

% ------ Trumpet ------
trpt = \transpose c d \relative c'' {
  \Key
  c1 | c | c |
}
trpHarmony = \transpose c' d {
  \jazzChords
}
trumpet = {
  \global
  \clef treble
  <<
    \trpt
  >>
}

% ------ Alto Saxophone ------
alto = \transpose c a \relative c' {
  \Key
  c1 | c | c |
}
altoHarmony = \transpose c' a {
  \jazzChords
}
altoSax = {
  \global
  \clef treble
  <<
    \alto
  >>
}

% ------ Baritone Saxophone ------
bari = \transpose c a' \relative c {
  \Key
  c1
  c1
  \sl
  d4^"Solo" d d d
  \nsl
}
bariHarmony = \transpose c' a \chordmode {
  \jazzChords s1 s d2:maj e:m7
}
bariSax = {
  \global
  \clef treble
  <<
    \bari
  >>
}

% ------ Trombone ------
tbone = \relative c {
  \Key
  c1 | c | c
}
tboneHarmony = \chordmode {
  \jazzChords
}
trombone = {
  \global
  \clef bass
  <<
    \tbone
  >>
}

% ############ Rhythm Section #############

% ------ Guitar ------
gtr = \relative c'' {
  \Key
  c1
  \sl
  b4 b b b
  \nsl
  c1
}
gtrHarmony = \chordmode {
  \jazzChords
  s1 c2:min7+ d2:maj9
}
guitar = {
  \global
  \clef treble
  <<
    \gtr
  >>
}

%% ------ Piano ------
rhUpper = \relative c'' {
  \voiceOne
  \Key
  c1 | c | c
}
rhLower = \relative c' {
  \voiceTwo
  \Key
  e1 | e | e
}

lhUpper = \relative c' {
  \voiceOne
  \Key
  g1 | g | g
}
lhLower = \relative c {
  \voiceTwo
  \Key
  c1 | c | c
}

PianoRH = {
  \clef treble
  \global
  <<
    \new Voice = "one" \rhUpper
    \new Voice = "two" \rhLower
  >>
}
PianoLH = {
  \clef bass
  \global
  <<
    \new Voice = "one" \lhUpper
    \new Voice = "two" \lhLower
  >>
}

piano = {
  <<
    \new Staff = "upper" \PianoRH
    \new Staff = "lower" \PianoLH
  >>
}

% ------ Bass Guitar ------
Bass = \relative c {
  \Key
  c1 | c | c
}
bass = {
  \global
  \clef bass
  <<
    \Bass
  >>
}

% ------ Drums ------
up = \drummode {
  \voiceOne
  hh4 <hh sn> hh <hh sn>
  hh4 <hh sn> hh <hh sn>
  hh4 <hh sn> hh <hh sn>
}
down = \drummode {
  \voiceTwo
  bd4 s bd s
  bd4 s bd s
  bd4 s bd s
}

drumContents = {
  \global
  <<
    \new DrumVoice \up
    \new DrumVoice \down
  >>
}

%%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%%

\score {
  <<
    \new StaffGroup = "horns" <<
      \new Staff = "trumpet" \with { instrumentName = "Trumpet" }
      \trumpet
      \new Staff = "altosax" \with { instrumentName = "Alto Sax" }
      \altoSax
      \new ChordNames = "barichords" \with { instrumentName = "Trumpet" }
      \bariHarmony
      \new Staff = "barisax" \with { instrumentName = "Bari Sax" }
      \bariSax
      \new Staff = "trombone" \with { instrumentName = "Trombone" }
      \trombone
    >>

    \new StaffGroup = "rhythm" <<
      \new ChordNames = "chords" \gtrHarmony
      \new Staff = "guitar" \with { instrumentName = "Guitar" }
      \guitar
      \new PianoStaff = "piano" \with {
        instrumentName = "Piano"
        midiInstrument = "acoustic grand"
      }
      \piano
      \new Staff = "bass" \with { instrumentName = "Bass" }
      \bass
      \new DrumStaff \with { instrumentName = "Drums" }
      \drumContents
    >>
  >>
  \layout {
    \context { \Staff \RemoveEmptyStaves }
    \context {
      \Score
      \override BarNumber.padding = #3
      \override RehearsalMark.padding = #2
      skipBars = ##t
    }
  }
  \midi { }
}

Copyright © 2000, 2001, 2002, 2007, 2008 Free Software Foundation, Inc.
https://fsf.org/

Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.

  Copyright (C)  year  your name.
  Permission is granted to copy, distribute and/or modify this document
  under the terms of the GNU Free Documentation License, Version 1.3
  or any later version published by the Free Software Foundation;
  with no Invariant Sections, no Front-Cover Texts, and no Back-Cover
  Texts.  A copy of the license is included in the section entitled ``GNU
  Free Documentation License''.

    with the Invariant Sections being list their titles, with
    the Front-Cover Texts being list, and with the Back-Cover Texts
    being list.

付録
1 チュートリアル		LilyPond で譜刻するための基本
2 一般的な記譜法		LilyPond 導入の手引き
3 基礎となるコンセプト		このマニュアルの残りの部分を読むために必要とされる基本的なコンセプト
4 出力を調整する		出力を変更するための導入部
Appendix A テンプレート		作成 (コンパイル) 準備ができているテンプレート
Appendix B GNU Free Documentation License		このドキュメントの使用許諾書
Appendix C LilyPond インデックス

[ << Top ]	[Top][Contents][Index]	[ 一般的な記譜法 >> ]
[ < Top ]	[ Up : Top ]	[ ファイルをコンパイルする > ]

1.1 ファイルをコンパイルする
1.2 入力ファイルの書き方
1.3 エラーに対処する
1.4 このマニュアルの読み方

[ << チュートリアル ]	[Top][Contents][Index]	[ 一般的な記譜法 >> ]
[ < チュートリアル ]	[ Up : チュートリアル ]	[ 入力を作成する > ]

1.1.1 入力を作成する
1.1.2 MacOS X
1.1.3 Windows
1.1.4 コマンドライン

1.2.1 簡単な記譜法
1.2.2 入力ファイルに取り組む

ピッチ
演奏時間 (リズム)
休符
拍子記号
テンポ記号
音部記号
すべてをまとめて

1.3.1 一般的なトラブルシュート Tips
1.3.2 いくつかの一般的なエラー

1.4.1 省略された構成要素
1.4.2 クリック可能な例
1.4.3 マニュアルの概要

[ << チュートリアル ]	[Top][Contents][Index]	[ 基礎となるコンセプト >> ]
[ < マニュアルの概要 ]	[ Up : Top ]	[ 単一譜表表記 > ]

2.1 単一譜表表記
2.2 同時に演奏する複数の音符
2.3 歌曲
2.4 仕上げ

[ << 一般的な記譜法 ]	[Top][Contents][Index]	[ 基礎となるコンセプト >> ]
[ < 一般的な記譜法 ]	[ Up : 一般的な記譜法 ]	[ 小節線と小節チェック > ]

2.1.1 小節線と小節チェック
2.1.2 ピッチと調号
2.1.3 タイとスラー
2.1.4 アーティキュレーションと強弱記号
2.1.5 テキストを追加する
2.1.6 自動連桁と手動連桁
2.1.7 高度なリズムコマンド

タイ
スラー
フレージングスラー
警告: スラー vs. タイ

アーティキュレーション
運指法記号
強弱記号

2.2.1 音楽表記についての説明
2.2.2 複数の譜
2.2.3 譜表グループ
2.2.4 音符を組み合わせて和音にする
2.2.5 単一譜表での多声

数学的表記との類似
同時進行する音楽表記: 複数の譜
同時進行する音楽表記: 単一の譜表

2.3.1 簡単な歌曲を作成する
2.3.2 歌詞を旋律に揃える
2.3.3 複数の譜への歌詞

2.4.1 変数を用いて楽曲を編成する
2.4.2 タイトルを付け加える
2.4.3 絶対音符名
2.4.4 このチュートリアルの後にすべきこと

[ << 一般的な記譜法 ]	[Top][Contents][Index]	[ 出力を調整する >> ]
[ < このチュートリアルの後にすべきこと ]	[ Up : Top ]	[ LilyPond 入力ファイルの仕組み > ]

3.1 LilyPond 入力ファイルの仕組み
3.2 音楽を保持するボイス
3.3 コンテキストとエングラーバ
3.4 テンプレートを拡張する

[ << 基礎となるコンセプト ]	[Top][Contents][Index]	[ 出力を調整する >> ]
[ < 基礎となるコンセプト ]	[ Up : 基礎となるコンセプト ]	[ LilyPond ファイル構造の紹介 > ]

3.1.1 LilyPond ファイル構造の紹介
3.1.2 Score は (単一の) 複合的な音楽表記
3.1.3 音楽表記をネストする
3.1.4 入力音符の構造
3.1.5 ネストされない括弧とタイ

括弧のタイプ	機能
`{ … }`	一続きの音楽を囲みます
`< … >`	和音となる音符を囲みます
`<< … >>`	同時進行する音楽表記を囲みます
`( … )`	スラーの開始点と終了点を意味します
`\( … \)`	フレージングスラーの開始点と終了点を意味します
`[ … ]`	手動連桁の開始点と終了点を意味します

3.2.1 私はボイスを聴いている
3.2.2 ボイスを明示的にインスタンス化する
3.2.3 ボイスとボーカル

LilyPond — 学習マニュアル

1 チュートリアル

1.1 ファイルをコンパイルする

1.1.1 入力を作成する

出力を作り出す

1.1.2 MacOS X

ステップ 1. ‘.ly’ ファイルを作成する

ステップ 2. コンパイルする (LilyPad を使用します)

ステップ 3. 出力を閲覧する

その他のコマンド

1.1.3 Windows

ステップ 1. ‘.ly’ ファイルを作成する

ステップ 2. コンパイルする

ステップ 3. 出力を閲覧する

その他のコマンド

1.1.4 コマンド ライン

ステップ 1. ‘.ly’ ファイルを作成する

ステップ 2. コンパイルする (コマンドラインで)

ステップ 3. 出力を閲覧する

1.2 入力ファイルの書き方

1.2.1 簡単な記譜法

ピッチ

演奏時間 (リズム)

休符

拍子記号

テンポ記号

音部記号

すべてをまとめて

参照

1.2.2 入力ファイルに取り組む

1.3 エラーに対処する

1.3.1 一般的なトラブルシュート Tips

1.3.2 いくつかの一般的なエラー

1.4 このマニュアルの読み方

1.4.1 省略された構成要素

1.4.2 クリック可能な例

1.4.3 マニュアルの概要

2 一般的な記譜法

2.1 単一譜表表記

2.1.1 小節線と小節チェック

小節線

小節チェック

参照

2.1.2 ピッチと調号

ピッチ変更

調号

警告: 調号とピッチ

参照

2.1.3 タイとスラー

タイ

スラー

フレージング スラー

警告: スラー vs. タイ

参照

2.1.4 アーティキュレーションと強弱記号

アーティキュレーション

運指法記号

強弱記号

参照

2.1.5 テキストを追加する

参照

2.1.6 自動連桁と手動連桁

参照

2.1.7 高度なリズム コマンド

部分小節

連符

装飾小音符

参照

2.2 同時に演奏する複数の音符

2.2.1 音楽表記についての説明

数学的表記との類似

同時進行する音楽表記: 複数の譜

同時進行する音楽表記: 単一の譜表

2.2.2 複数の譜

2.2.3 譜表グループ

参照

2.2.4 音符を組み合わせて和音にする

参照

2.2.5 単一譜表での多声

参照

ステップ 1. ‘`.ly`’ ファイルを作成する

ステップ 1. ‘`.ly`’ ファイルを作成する

1.1.4 コマンドライン

ステップ 1. ‘`.ly`’ ファイルを作成する

フレージングスラー

2.1.7 高度なリズムコマンド

3.3.4 コンテキストプロパティを変更する

`\with` を使ったコンテキストプロパティの設定

`\context` を使ったコンテキストプロパティの設定

`\override` コマンド

`\revert` コマンド

`\once` 接頭辞

`\overrideProperty` コマンド

`\tweak` コマンド

`\single` 接頭辞

3.3.1 コンテキストの説明
3.3.2 コンテキストを作成する
3.3.3 エングラーバの説明
3.3.4 コンテキストプロパティを変更する
3.3.5 エングラーバを追加 / 削除する

エングラーバ	機能
Accidental_engraver	臨時記号 (警告的臨時記号とアドバイス的な臨時記号を含む) を作成します。
Beam_engraver	連桁を譜刻します。
Clef_engraver	音部記号を譜刻します。
Completion_heads_engraver	小節線をまたがる音符を分割します。
Dynamic_engraver	強弱記号 (クレッシェンド、デクレッシェンド) と強弱テキスト (p や f など) を作成します。
Forbid_line_break_engraver	音楽要素がアクティブなままである場合に改行されることを防ぎます。(訳者: いわゆる禁則処理)
Key_engraver	調号を作成します。
Metronome_mark_engraver	メトロノーム記号を譜刻します。
Note_heads_engraver	符頭を譜刻します。
Rest_engraver	休符を譜刻します。
Staff_symbol_engraver	(デフォルトで) 五線の譜表を譜刻します。
Stem_engraver	符幹と単一符幹のトレモロを作成します。
Time_signature_engraver	拍子記号を作成します。

プロパティ名	タイプ	機能	実際の値の例
extraNatural	ブール値	真の場合、追加のナチュラル記号を臨時記号の前にセットします	`#t`, `#f`
currentBarNumber	整数	小節番号をセットします	`50`
doubleSlurs	ブール値	真の場合、音符の上と下の両方にスラーを譜刻します	`#t`, `#f`
instrumentName	テキスト	譜表の先頭に表示される名前をセットします	`"Cello I"`
fontSize	実数	フォントサイズを増減させます	`2.4`
stanza	テキスト	歌詞の先頭に譜刻されるテキストをセットします	`"2"`

3.4.1 ソプラノとチェロ
3.4.2 4 パート SATB ボーカル譜
3.4.3 ゼロから楽譜を構築する
3.4.4 変数と関数を用いて入力の手間を省く
3.4.5 楽譜とパート

[ << 基礎となるコンセプト ]	[Top][Contents][Index]	[ テンプレート >> ]
[ < 楽譜とパート ]	[ Up : Top ]	[ 調整の基本 > ]

4.1 調整の基本
4.2 内部リファレンスマニュアル
4.3 オブジェクトの見た目
4.4 オブジェクトの配置
4.5 垂直方向のスペース
4.6 オブジェクトの衝突
4.7 更なる調整

[ << 出力を調整する ]	[Top][Contents][Index]	[ テンプレート >> ]
[ < 出力を調整する ]	[ Up : 出力を調整する ]	[ 調整の紹介 > ]

4.1.1 調整の紹介
4.1.2 オブジェクトとインタフェイス
4.1.3 オブジェクトとプロパティの命名規則
4.1.4 調整手段

オブジェクト/プロパティのタイプ	命名規則	例
コンテキスト	Aaaa や AaaaAaaaAaaa	Staff, GrandStaff
レイアウトオブジェクト	Aaaa や AaaaAaaaAaaa	Slur, NoteHead
エングラーバ	Aaaa_aaa_engraver	Clef_engraver, Note_heads_engraver
インタフェイス	aaa-aaa-interface	grob-interface, break-aligned-interface
コンテキストプロパティ	aaa や aaaAaaaAaaa	alignAboveContext, skipBars
レイアウトオブジェクトプロパティ	aaa や aaa-aaa-aaa	direction, beam-thickness

`\override` コマンド
`\revert` コマンド
`\once` 接頭辞
`\overrideProperty` コマンド
`\tweak` コマンド
`\single` 接頭辞